Les Ruines du Monastère
LEGROS, Alphonse
Etching and drypoint on laid paper. Reference: Bliss 356 iii/viii. Signed in pencil. Fine impression, one of 6 of this state, and of only 26 impr...
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Etching and drypoint on laid paper. Reference: Bliss 356 iii/viii. Signed in pencil. Fine impression, one of 6 of this state, and of only 26 impr...
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Etching on laid paper. Reference: Malassis et Thibaudeau 223 ii/v. One of 6 in this state, according to the Bliss Collection catalog. But also anno...
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Etching on wove paper. References: Beraldi 10; Lalanne 8; BN-IFF 9-4. One of four prints for the "Société des Aquafortistes", 2nd year, 1865-66. I...
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Graphite on wove paper. Signed in pencil.Inscribed with the location.
Etching on chine-collé on BFK Rives wove paper. Reference: Fitch-Febvrel 68. Edition of 90. Signed, titled, dated, and numbered in pencil.
Etching on BFK Rives wove paper. Reference: Fitch-Febvrel 38. Edition of 90. Signed, titled, dated, and numbered in pencil.
Pour un Projet Sensationnel or Le Secret (original French title) Drypoint on Arches laid paper. Reference: Ginestet et Pouillon E106. Artist’s proo...
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Gouache and watercolor on wove paper. Signed and dated in gouache. Housed in a mat cut to the shape of the image.
Black crayon, colored pencil, and pastel on wove paper. Unrelated to any print by the artist; likely an idea that never really went any further, th...
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Etching on laid paper. Reference: Delteil 14 ii/ii. Superb impression of Millet's rarest, and arguably best etching. Large margins (tips of two co...
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Ink wash on wove paper (on the back of a Connecticut commercial product list).Signed with monogram stamp GIO in a circle (?).
Etching and engraving on chine-collé on wove paper.Reference: Pousette-Dart 13. Memorial plate to the artist's first wife, Elizabeth Louise. Scatte...
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Color lithograph on tan wove paper. Published by La Revue Blanche in August 1894. Edition details for this publication are hard to come by, but it ...
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Etching printed in bistre on laid japon paper.Reference: Feltkamp 1894 - 001 /1. Very few impressions. We have only located one other one, printed ...
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Etching on toned wove paper.References: LeBlanc 51; Béraldi 214-295. Titled, dated, signed and annotated in ink in the lower plate margin. Small ma...
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Etching on chine-collé en thick wove paper. Reference: Guiffrey 205; Béraldi page 188. Lower right sheet corner torn off, in wide margins, well awa...
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Etching and aquatint on laid Arches paper. References: Beraldi 35; BN-IFF 79.The Bibliothèque Nationale mentions the existence of two states. Scar...
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Etching and drypoint, on laid paper (1st state), on tan laid paper (2nd state).Reference: Béraldi 57.Two impressions, the first a proof impression ...
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Lithograph on tan wove paper.References: Roger-Marx 16; Aitken 58, Eckert Boyer 36 .Program for a play by Henrik Ibsen at the Théatre de l'Oeuvre.P...
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Etching and aquatint on chine-collé on wove paper.Reference: Fitch-Febvrel 68. Edition of 90. Signed, titled, dated and numbered in pencil.
Etching with subtle plate tone on wove paper. Reference: Bliss 604, only state. Signed in pencil.
Etching on thick wove paper.Reference: Bliss 503 ii/ix.Before the etched borderline, before the plate was cut down, and before the composition was ...
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Etching on thick wove paper.Refences: Delteil/Wright 53 v/vi; Schneiderman 96 v/vii.Bearing a butterfly stamp (collector's stamp?) in the lower rig...
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Etching on laid paper. References: Bruette/Roullier 154 i/ii, LOC 181. Signed in pencil. Cut to the platemark (very likely by the artist).
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