
Studio Mirror
GANSO, Emil
Dual-tone wood engraving on wove paper. Reference: Smith R-77.Exact edition unknown, but less than 200.Published by American Artists Group, New Yor...
View full detailsDual-tone wood engraving on wove paper. Reference: Smith R-77.Exact edition unknown, but less than 200.Published by American Artists Group, New Yor...
View full detailsEtching and aquatint on wove paper. No known edition, but proofs exist including in the University of Syracuse Art Museum collection (see here). Si...
View full detailsPromenade Matinale (original French title) Etching and aquatint printed in color on wove paper, circa 1900. Edition of 50. We have encountered an i...
View full detailsLithograph on wove paper. Reference: Barker 123. Edition of 31.Signed in pencil.
Lithograph on wove paper. Reference: Barker 104. Edition of 40.Signed in pencil.
Baigneuses (original French title) Color etching and aquatint on laid Arches paper.Reference: listed as missing in BN-IFF. Edition of 50, but quite...
View full detailsConté crayon on chiné pinkish-cream wove paper, circa 1878. Study for one of the figures in Les Muses des Arts, a ceramic tiledecor created for the...
View full detailsEtching, aquatint & roulette printed in 5 colors on wove BFK Rives paper, circa 1910.Edition of 350. After a famous painting with the same titl...
View full detailsPreparatory drawings for dessert plates, for a table service created for and presented at the 1889 Exposition Universelle in Paris, for the Pillivu...
View full detailsPreparatory drawings for dessert plates, for a table service created for and presented at the 1889 Exposition Universelle in Paris, for the Pillivu...
View full detailsLa Galerie, Notre-Dame, Paris (original French title) Etching on laid paper.References: Schneiderman 29 (iii/vi), Delteil-Wright 26 (iii/v). Third...
View full detailsColor woodcut (woodblock print) on Japan paper. Edition unknown.Signed in pencil.
Drypoint and direct bite on laid paper, 1900. Reference: Tabanelli 47. Second state of two.Total edition of 40 on a variety of papers, according to...
View full detailsLithograph on laid chine paper. Rare proof impression, aside from the book edition titled "Allo! Paris!". Before the publication by "Editions des...
View full detailsPencil on wove paper, affixed in four corners onto another sheet.We have not been able to ascertain whether this was a study after a master or an o...
View full detailsEtching on wove paper.Reference: Windisch. Cole, and Herbaugh 667. Published by Associated American Artists (AAA), in an edition of 250. Signed in ...
View full detailsLithograph on wove paper. Reference: Flint 217. Edition of 15. Signed in pencil.
Lithograph on GCM (Rives) wove paper. Reference: Flint 191. Edition of 20. Signed in pencil.
Etching on wove paper. Reference: Fletcher 65. Artist’s proof from the tenth and final state, aside from the edition. Signed in pencil and annotate...
View full detailsMezzotint on wove paper.Edition was to be of 35 but was likely not completed. Rare.The current work was the artist's last published mezzotint.Signe...
View full detailsIntaglio, most definitely aquatint mixed with other techniques, printed with embossing in simultaneous color printing (using various viscosities of...
View full detailsL’Alsace… (original French title) Aquatint printed in blue ink, with a touch of red in the cockade on simili-Japan paper, April 1916. One of 8 impr...
View full detailsSeigneur Prenez Pitié… (original French title) Aquatint printed in blue and warm-gray inks on wove BFK Rives paper, circa 1918. This plate was poss...
View full detailsColor woodcut on Japan paper, no date. Edition of 75.Signed, titled and numbered in pencil. The sheet was folded on the left side, on purpose, to b...
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