Rhododendron
RIST, Luigi
Color woodcut printed on laid japan paper. Ref: Williams 10. Edition of 100 or 150; yet uncommon today.Signed in ink in the image. Titled in pencil...
View full detailsColor woodcut printed on laid japan paper. Ref: Williams 10. Edition of 100 or 150; yet uncommon today.Signed in ink in the image. Titled in pencil...
View full detailsIkaruga Village B Woodblock print (color woodcut) on Japan wove paper.Edition of 200. Signed, dated, numbered, and titled in Japanese in pencil.
Moulin près de l'Alby en Savoye (original French title) Etching on chine-collé on thick paper, 1846. References: Beraldi 58; Le Blanc 62; BN-IFF...
View full detailsLa Sortie de Trois Midinettes (original French title) Color drypoint on MBM laid paper. Refence: Crauzat 34. Published by "Les Cent Bibiliophiles...
View full detailsLithograph on Rives wove paper. Edition of 40. The artist apparently made another version of such a Roman ruin in a Southwestern landscape. Signed,...
View full detailsUne Loge (original French title) Drypoint and aquatint on laid paper. References: Exsteens 286; Arwas 352. Edition of 21 in color. Aside from an ed...
View full detailsSimultaneous color printing intaglio (a.k.a. viscosity print) on Arches wove paper. Edition of 100. While Swift only studied at Atelier 17 in Paris...
View full detailsAquatint, soft-ground, and etching on laid paper.Signed and annotated "Epreuve d'artiste" in pencil. Faint pale spots, mostly visible on the verso....
View full detailsEtching on thick wove paper.Reference: Bliss 503 ii/ix.Before the etched borderline, before the plate was cut down, and before the composition was ...
View full detailsEtching, aquatint, and drypoint printed in color on wove paper. Reference: Tabanelli 98. From the edition of 30 printed in color. According to Taba...
View full detailsWoodcut on thin Japan paper. Edition unknown, but likely one of a handful of impressions only. Aside from a couple of published prints, most woodcu...
View full detailsColor mezzotint on Arches wove paper.Edition of 75.Signed, titled, dated, and numbered in pencil.
Etching on wove paper.Reference: Windisch. Cole, and Herbaugh 667. Published by Associated American Artists (AAA), in an edition of 250. Signed in ...
View full detailsRetour de Pêche la Nuit (original French title) Etching and aquatint on laid paper. Reference: Morane 16.Annotated as a fourth state. As Morane com...
View full detailsEtching and aquatint on simili-japon paper. Reference: Morane 67.No edition. Scarce.
L’Alsace… (original French title) Aquatint printed in blue ink, with a touch of red in the cockade on simili-Japan paper, April 1916. One of 8 impr...
View full detailsColor aquatint and etching on wove paper, 1987.Edition of 95. Neumühlen is a strip of land along the Elbe River in Hamburg, Germany which was once ...
View full detailsLithograph on thin tan chine paper, 1887. Reference: Mellerio 71. This is a proof aside from the scarce edition of 25 on chine-collé, printed by L...
View full detailsWoodblock print, color woodcut, printed on Japan wove paper, circa 1950-60. Bearing the artist’s red seal and stamped “Kiyochi Saito” in black ink ...
View full detailsColor aquatint and etching on laid paper, circa 1895. Edition of 50.Signed and numbered in pencil. Provenance: the estate of the artist, thence by ...
View full detailsFemmes d’Ouessant (original French title) Aquatint with touches of drypoint printed in color à la poupée on simili-japon paper. Reference: Gineste...
View full detailsSilver-gelatin print, no date. Edition unknown. From a series of images titled Industrial Landscapes - Cleveland by the artist A very fine impr...
View full detailsLithograph on wove paper, no date. Edition unknown, but if there was any, it certainly was small. The format suggests it could have been intended...
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