Un Jour d’Automne à Artemare (Ain)
APPIAN, Adolphe
Etching on laid japon paper. Reference: Curtis & Prouté 32. First state, before letters. A luminous impression, with dark sharply printed lines.
Etching on laid japon paper. Reference: Curtis & Prouté 32. First state, before letters. A luminous impression, with dark sharply printed lines.
Etching and aquatint printed in brown-black ink on tan wove paper. Reference: Bourcard & Goodfriend 163 iii/iii. Printed in warm black ink, ev...
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Etching, drypoint, aquatint, roulette, printed in two tones, from two plates, on wove japon paper, 1886-1890. Reference: Bourcard & Goodfriend ...
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Etching on chine-collé on laid paper. Published by Cadart & Luquet, France, active 1863–67 for their famous eponymous organization, which promo...
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La Chauve-Souris (original French title) Etching and aquatint printed from two plates, in black and in blue ink, on wove Arches paper.Edition of 10...
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Etching on laid paper, with an unrecognized scrolly coat of arms watermark. Reference: Schneiderman 85 v/vi. Fifth state, with letters. This state ...
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Pêcheuse à l'Enfant Tirant un Requin (original french title)Deeply bitten etching, with roulette and gypsograph, printed in black ink on beige wove...
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Un Gréviste (original French title) Etching, roulette and drypoint printed in brown-black ink thick wove paper, before 1888. Reference: Bertin 45. ...
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Échafaudages dans la Cale au Pollet, Dieppe (original French title) Etching, roulette & drypoint in brownish-black ink on laid Arches paper.Ref...
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A l’Orgue (original French title) Etching on simili-japon paper. Reference: BnF-IFF, mentioned as missing from the Bibliothèques Nationale’s collec...
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Etching printed in brown ink on laid Arches paper. Ref: BnF-IFF 62.Edition of 36.Published by Edmond Sagot, with his blindstamp (Lugt 2254).Signed ...
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Oiseaux de Proie (original French title) Aquatint and etching printed on tan wove paper.Etching and aquatint printed in olive-green on Arches laid ...
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Jeune Femme au Bain (original French title) Etching on laid paper, after 1866.Reference: Beraldi 423. In Rembrandtian tradition, Charles Jacque dra...
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Etching on light-gray laid paper with strange "tool" watermark (likely a paper that came from a small artisanal mill). Reference: Godefroy (Delteil...
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Etching on wove paper. Titled and signed in pencil at the lower margins. NOTE: George Arliss (1868-1946) won the 1930 Academy Award (only the seco...
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Each print titled and signed in pencil at the lower margins.Largest size given below, smaller print size is 5 x 5 inches.
Etching on wove paper.Initialed in the plate at lower left, and pencil signed at lower right.Sheet size: 8 7/8 x 7 5/8 inches.
Each print titled and signed in pencil at the lower margins.Largest size given below, smaller print size is 3 7/8 x 5 1/2 inches.
Each print titled and signed in pencil at the lower margins.In Duneland printed in green ink.Largest size given below, smaller print size is 4 7/8 ...
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Each print titled and signed in pencil at the lower margins.Largest size given below, smaller print size is 6 7/8 x 5 1/2 inches.
Etching and aquatint in red ink on wove paper.Pencil signed, titled and inscribed A/P.Sheet size: 15 x 19 inches.
Etching on wove paper. Edition of 50.The wrath of God is symbolically depicted by gathering storm clouds, while Moses’ arm is swung back, its motio...
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Etching, drypoint, and roulette on wove paper. Edition unknown, but likely small, if one was printed at all.Signed in pencil. Faint line of discolo...
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Drypoint on laid paper. Reference: Tabanelli 30. Proof of the third state (of four?), before steelfacing, and before the composition was brightened...
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