The Bridge
BONNARD, Pierre
Le Pont (original French title) Color lithograph printed on thin wove paper, 1899.Reference: Bouvet 66. Edition of 100.From the artist’s famous ser...
View full detailsLe Pont (original French title) Color lithograph printed on thin wove paper, 1899.Reference: Bouvet 66. Edition of 100.From the artist’s famous ser...
View full detailsEtching printed in dark brown ink on laid paper.Refereces: Delteil/Wright 29 iii/v; Schneiderman 24ii or iii/v.A rich impression of this early stat...
View full detailsLithograph on wove paper. Edition of 50.The artist apparently made another version of a Parisian window view with the same title. Both are surprisi...
View full detailsEtching on laid paper. References: Bruette/Roullier 154 i/ii, LOC 181. Signed in pencil. Cut to the platemark (very likely by the artist).
Black crayon and watercolor on tan laid paper.This is a preliminary drawing for a color woodcut on page 53 of Paysages et Coins de Rues, Jean Riche...
View full detailsDrypoint on laid paper. Reference: McCarron 87. Total edition of 91, including 10 trial proofs.Signed in pencil.
Drypoint on wove paper with two flower watermarks (papermaker unidentified).Reference: McCarron 76. Edition of 84. Lewis uses the dramatic nighttim...
View full detailsCoin de rue, Quartier des Grandes Carrières (original French title) Etching and aquatint on laid Japan paper.Reference: Tabanelli 76. Artist's proo...
View full detailsDrypoint on wove paper.Reference: McCarron 62. Second state of two, after crosshatching and contrasting elements were added throughout the plate. T...
View full detailsEtching, aquatint, and drypoint printed in color on wove paper. Reference: Tabanelli 98. From the edition of 30 printed in color. According to Taba...
View full detailsUn Gueux (original French title) Etching and aquatint on laid paper. Reference: Tabanelli 10. On impression in black ink only. Impressions in color...
View full detailsLe Grand-Prix de Paris (original French title) Color etching, aquatint, and drypoint printed on simili-japon paper, 1906.Ref: Delteil 74.Edition of...
View full detailsAquatint and soft-ground etching printed in color on simili-Japan wove paper.Reference: Novák 177. Edition of 100.Signed in pencil.
Etching on wove paper.Reference: Windisch. Cole, and Herbaugh 667. Published by Associated American Artists (AAA), in an edition of 250. Signed in ...
View full detailsAquatint and soft-ground etching printed in color on simili-Japan wove paper,Reference: Novák 192. Edition of 200. Signed and numbered in pencil,...
View full detailsColor drypoint on simili-japon paper.Reference: Delteil 21 v/v.Edition of 100.Signed and numbered in pencil.
Lili au Boa Noir (original French title)Drypoint and roulette printed in three colors on laid Van Gelder Zonen paper.Reference: Ginestet et Pouillo...
View full detailsLa Place Pigalle en 1878 (original French title) Etching, aquatint, and drypoint on Japan paper, 1878.Reference: Bourcard & Goodfriend 129 vi/v...
View full detailsWoodcut on thin laid paper, 1943-44. Trial proof, aside from an edition of 27. It’s rush hour and a sea of people is holding on for dear life as th...
View full detailsLa Tamise à Londres (original French title) Woodcut “en camaieu” (black, gray, and pale-blue) on thin laid Japan paper.Reference: BN-IFF 86.Two imp...
View full detailsL’Hiver à Paris or La Neige à Paris (original French titles) Etching, aquatint, scraper, and drypoint on laid paper.Reference: Bourcard & Goodf...
View full detailsColor aquatint on silver-foil paper, circa 1975. Edition of 30. The artist, who is typically referred to as SICA, exhibited her prints, which she ...
View full detailsWoodblock print, color woodcut, printed on Japan wove paper, circa 1950-60. Bearing the artist’s red seal and stamped “Kiyochi Saito” in black ink ...
View full detailsColor aquatint and etching printed on light-gray BFK Rives wove paper. Edition of 65, published by Cavalliero – Rouland, New York & Paris. Sign...
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