Souvenir de Giorgione
BERTON, Armand
Etching printed in brown ink on laid Arches paper. Ref: BnF-IFF 62.Edition of 36.Published by Edmond Sagot, with his blindstamp (Lugt 2254).Signed ...
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Etching printed in brown ink on laid Arches paper. Ref: BnF-IFF 62.Edition of 36.Published by Edmond Sagot, with his blindstamp (Lugt 2254).Signed ...
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Jeune Femme au Bain (original French title) Etching on laid paper, after 1866.Reference: Beraldi 423. In Rembrandtian tradition, Charles Jacque dra...
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Pluie et Parapluie (original French title) Etching, possibly with touches of drypoint, printed on laid paper (partial watermark suggesting Arches),...
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Forêt (original French title) Etching on laid paper, circa 1874.Reference: Bourcard & Goodfriend 42.A rich impression, the black ink almost pou...
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Le Peintre de Marine (original French title) Etching, aquatint, likely with touches of drypoint, on laid paper.Reference: Bourcard & Goodfriend...
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Les Bergeries, Soleil Couchant (original French title) Etching and aquatint printed in warm brownish-black ink on simili-japon wove paper.Reference...
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Etching on thin laid japon paper.Reference: Bourcard & Goodfriend 11 i/iii. The rare first state in pure etching and before letters.This is th...
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Etching on "papier verdâtre" (pale green) laid paper. Reference: Fletcher 384 iii/iii. Signed and dated in pencil. A miracle of miniature printmak...
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Etching and aquatint on wove paper. Likely one of the artist's early etchings, which often depicted "La Butte Montmartre" and its picturesque stre...
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Etching, drypoint, and aquatint on thin laid MBM paper. Reference: Beraldi 779 iv/v. From the series titled "Six eaux fortes", published in 1887. S...
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Etching printed over an additional tone plate on wove paper. References: Guiffrey 73; BN-IFF 136. Corners torn off, and with a few tears in the sh...
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Etching on wove paper. References: Beraldi 10; Lalanne 8; BN-IFF 9-4. One of four prints for the "Société des Aquafortistes", 2nd year, 1865-66. I...
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Pour un Projet Sensationnel or Le Secret (original French title) Drypoint on Arches laid paper. Reference: Ginestet et Pouillon E106. Artist’s proo...
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Etching on laid paper. References: Bruette/Roullier 154 i/ii, LOC 181. Signed in pencil. Cut to the platemark (very likely by the artist).
Etching on Japan wove paper.Reference: Bruette 102, LOC 301. Narrow margins.
Etching on laid japon paper.Reference: Delteil 124 between i/ii and ii/iii.Almost certainly a state between Delteil's first and second, with the mo...
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Etching, printed on laid paper. Reference: Fletcher 248. From the French Church Series, plate 34. Signed and dated, and annotated “II” in pencil.
Etching on laid paper, circa 1930.Edition unknown, but likely small, like most of Ripley’s prints.Signed and titled in pencil.
Petit Café à Soldats (original French title) Color drypoint and aquatint on laid Arches paper, c. 1906.Ref: BN-IFF 38-116.From the loosely associat...
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Entrée du Couvent des Capucins Français à Athènes (original French title) Etching printed on laid paper, 1854.References: Delteil 61, Schneiderman ...
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Margot La Critique or Une Pie (original French Title) Etching on simili-japon paper. References: Beraldi 113, likely between ii & iii, BN-IFF 3...
View full detailsSur le Chemin (original French title) Color etching printed on laid paper.Reference: Delteil 39.Edition of 50 in the fourth and final state. Scarce...
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Paysanne Portant Deux Seaux (descriptive French title) Etching printed on D & C Blauw laid paper.Ref: not in BN-IFF.A very fine impression, in ...
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