Saint Benigne, Dijon France
ARMS, John Taylor
Etching on laid paper.Reference: Fletcher 195. From the French Church Series, plate 15.Printed in 1927 by Frederick Reynolds.Signed and dated in pe...
View full detailsEtching on laid paper.Reference: Fletcher 195. From the French Church Series, plate 15.Printed in 1927 by Frederick Reynolds.Signed and dated in pe...
View full detailsEtching on toned wove paper.References: LeBlanc 51; Béraldi 214-295. Titled, dated, signed and annotated in ink in the lower plate margin. Small ma...
View full detailsEtching on thick wove paper.Reference: Bliss 503 ii/ix.Before the etched borderline, before the plate was cut down, and before the composition was ...
View full detailsDrypoint on laid paper. Reference: McCarron 87. Total edition of 91, including 10 trial proofs.Signed in pencil.
Drypoint on wove paper with two flower watermarks (papermaker unidentified).Reference: McCarron 76. Edition of 84. Lewis uses the dramatic nighttim...
View full detailsDrypoint on wove paper.Reference: McCarron 62. Second state of two, after crosshatching and contrasting elements were added throughout the plate. T...
View full detailsLithograph on wove paper. Reference: Stuckey 194. Edition of 50. This subject was drawn in Ogunquit, Maine. Signed and annotated in pencil.
Lithograph on wove paper. Reference: Stuckey 196. Edition of 65. This subject was drawn in Ogunquit, Maine.Signed and annotated in pencil.
Etching, printed on laid paper. Reference: Fletcher 248. From the French Church Series, plate 34. Signed and dated, and annotated “II” in pencil.
Etching on wove paper. Reference: Fletcher 65. Artist’s proof from the tenth and final state, aside from the edition. Signed in pencil and annotate...
View full detailsGraphite drawing on paper, mounted on thin board, circa 1920-30. An elaborately detailed and large drawing by an artist who remains surprisingly un...
View full detailsLithograph on wove paperReference: Rose & Quiroz 78. Edition of 25. Signed, dated, and titled in pencil. Very fine impression in pristine condi...
View full detailsLithograph printed on wove paper. Reference: Season, Myers & Windisch 2577.Published by Associated American Artists (AAA), in an edition of 250...
View full detailsColor mezzotint on wove paper, no date. Proof aside from an unknown edition. Signed and annotated in pencil.
Lynd WARD (1905-1985) Undercliff Wood engraving on thin white wove paper, 1948. Edition of 200, published by The Woodcut Society, New York. In orig...
View full detailsReference: Kraeft 79.Edition of 100.Signed and annotated 'For Esta Nichols' in pencil. Very fine impression in near perfect condition, aside from s...
View full detailsJonge Gierzwaluw (original Dutch title)Lithograph printed on chine-collé on tan card-stock wove paper, 1940.Edition of 40.Signed and dated, titled,...
View full detailsAquatint printed on thick wove paper.Edition of 100.Published by Georgetown Graphics Inc for the Print Collectors Club, Washington DC.Signed and nu...
View full detailsAquatint and etching printed in dark bluish-black ink on wove paper. Edition of 12. Signed, titled, and numbered in pencil.
Lithograph on Basingwerk Parchment paper.Edition unknown, but certainly not large.Signed and titled in pencil.
Zum Träumen (original German title) Color aquatint and etching on wove paper.Edition of 50.Signed, titled and numbered in pencil.
Südliches (original German title) Color aquatint and etching on wove paper.Edition of 50.Signed, titled and numbered in pencil.
Deuil (original French title) Lithograph on thin wove paper.Reference: Wright 83.Published by the Senefelder Club, founded in 1909, with their mono...
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