Mill near Alby en Savoie
BLERY, Eugene
Moulin près de l'Alby en Savoye (original French title) Etching on chine-collé on thick paper, 1846. References: Beraldi 58; Le Blanc 62; BN-IFF...
View full detailsMoulin près de l'Alby en Savoye (original French title) Etching on chine-collé on thick paper, 1846. References: Beraldi 58; Le Blanc 62; BN-IFF...
View full detailsLe Chêne en Eventail, Vallée de la Solle (original French title) Etching on chine-collé on thick wove paper. References: Beraldi supplement 37; no...
View full detailsLe Visage Encadré (French title) The Framed Face Color drypoint on thick wove paper. Reference: BN-IFF 52. The Bibliothèque Nationale's inventory, ...
View full detailsLithograph on wove paper, 1944. Edition of 50.The artist apparently made another version of such a Roman ruin in a Southwestern landscape.Signed, d...
View full detailsEtching on "papier verdâtre" (pale green) laid paper. Reference: Fletcher 384 iii/iii. Signed and dated in pencil. A miracle of miniature printmak...
View full detailsEtching on wove paper. References: Beraldi 10; Lalanne 8; BN-IFF 9-4. One of four prints for the "Société des Aquafortistes", 2nd year, 1865-66. I...
View full detailsColor mezzotint on wove paper.Edition of 100. Signed, titled, dated, and numbered in pencil.
Color mezzotint on wove paper.Edition of 75. Signed, titled, dated, and numbered in pencil.
Etching on chine-collé on BFK Rives wove paper. Reference: Fitch-Febvrel 68. Edition of 90. Signed, titled, dated, and numbered in pencil.
Etching on BFK Rives wove paper. Reference: Fitch-Febvrel 38. Edition of 90. Signed, titled, dated, and numbered in pencil.
Etching on toned wove paper.References: LeBlanc 51; Béraldi 214-295. Titled, dated, signed and annotated in ink in the lower plate margin. Small ma...
View full detailsEtching on thick wove paper.Reference: Bliss 503 ii/ix.Before the etched borderline, before the plate was cut down, and before the composition was ...
View full detailsDrypoint on laid paper. Reference: McCarron 87. Total edition of 91, including 10 trial proofs.Signed in pencil.
Drypoint on wove paper with two flower watermarks (papermaker unidentified).Reference: McCarron 76. Edition of 84. Lewis uses the dramatic nighttim...
View full detailsDrypoint on wove paper.Reference: McCarron 62. Second state of two, after crosshatching and contrasting elements were added throughout the plate. T...
View full detailsLithograph on wove paper. Reference: Stuckey 194. Edition of 50. This subject was drawn in Ogunquit, Maine. Signed and annotated in pencil.
Lithograph on wove paper. Reference: Stuckey 196. Edition of 65. This subject was drawn in Ogunquit, Maine.Signed and annotated in pencil.
Etching, printed on laid paper. Reference: Fletcher 248. From the French Church Series, plate 34. Signed and dated, and annotated “II” in pencil.
Etching on wove paper. Reference: Fletcher 65. Artist’s proof from the tenth and final state, aside from the edition. Signed in pencil and annotate...
View full detailsGraphite drawing on paper, mounted on thin board, circa 1920-30. An elaborately detailed and large drawing by an artist who remains surprisingly un...
View full detailsLithograph printed on wove paper. Reference: Season, Myers & Windisch 2577.Published by Associated American Artists (AAA), in an edition of 250...
View full detailsColor mezzotint on wove paper, no date. Proof aside from an unknown edition. Signed and annotated in pencil.
Lynd WARD (1905-1985) Undercliff Wood engraving on thin white wove paper, 1948. Edition of 200, published by The Woodcut Society, New York. In orig...
View full detailsReference: Kraeft 79.Edition of 100.Signed and annotated 'For Esta Nichols' in pencil. Very fine impression in near perfect condition, aside from s...
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