Self-Portrait: Morning
CAMPBELL, Paula
Color intaglio inked à la poupée. Edition of 15.Signed, titled, and numbered, and annotated in pencil.
Color intaglio inked à la poupée. Edition of 15.Signed, titled, and numbered, and annotated in pencil.
Color intaglio inked à la poupée.Edition of 20 color variants.Signed, titled, and numbered, and annotated in pencil.
Etching printed in brown ink on laid Arches paper. Ref: BnF-IFF 62.Edition of 36.Published by Edmond Sagot, with his blindstamp (Lugt 2254).Signed ...
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Jeune Femme au Bain (original French title) Etching on laid paper, after 1866.Reference: Beraldi 423. In Rembrandtian tradition, Charles Jacque dra...
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Wood engraving on wove paper, 1935-37. Reference: Wien 170.From the edition of 200, published by the "American Artists Group", New York. Signed, ti...
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Dry point etching on wove paper.Refs: Grandgérard 145; BnF IFF 14.Pencil signed and inscribed third state, 4/10 with the artist's monogram in faint...
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Drypoint etching on laid paper.Refs: Grandgérard 68; BnF IFF 8.Pencil signed and inscribed third state, 1/1 with the artist's monogram in red ink a...
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Gouache on board.Signed and dated at the lower right within the image.Board size: 19 x 13 ¾ inches. An unusual subject for the artist, Hancox’s cho...
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Woodcut on japon paper.Edition of 25.Signed titled and numbered in pencil.Sheet size: 11 5/8 x 13.375 inches.Condition notes: glue residue from old...
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Etching on wove paper.Initialed in the plate at lower left, and pencil signed at lower right.Sheet size: 8 7/8 x 7 5/8 inches.
Pen and ink drawing on laid paper with partial illegible watermark.Signed and dated in ink within the image.Provenance: Sylvan Cole Gallery, New Yo...
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Color aquatint and mezzotint on wove paper. Artist’s proof. It seems unlikely that this print was ever editioned. We have yet to find another impre...
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Lithograph on wove paper. No stated edition, and scarce. It isn’t clear that any editions were ever printed for any of the artist’s few lithographs...
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Lithograph on Rives wove paper. No stated edition, and scarce. It isn’t clear that any editions were ever printed for any of the artist’s few litho...
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Lithograph on wove paper. Reference: Windisch, Cole, and Herbaugh 546. Stated edition of 250, which is either an error, was never printed in those ...
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Color carborundum and/or collagraph on thick wove paper. Trial proof. There was seemingly no edition of this print. We can find neither another imp...
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Lithograph printed in two colors on wove paper. Artist’s proof, aside from an edition of 100. An elegant outline drawing in black is overlaid with ...
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Lithograph printed in two colors, profusely hand colored with wax pencils on wove paper. Artist’s proof. It seems unlikely that an edition was ever...
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Lithograph printed in two colors on wove paper. Artist’s proof. It seems unlikely that an edition was ever printed of this work. The artist drafted...
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Wood engraving on thin wove Japan paper. Printed as a New Year’s greetings card for Bertram and Ethel Reibel. The portfolio is included.Signed in p...
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Wood engraving on thin wove Japan paper. Printed as a New Year’s greetings card for Bertram and Ethel Reibel. The portfolio is included.Signed in p...
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Colored pencil and graphite on thick smooth wove paper. In the lower left sheet corner, August Mosca annotated that this drawing was made after a r...
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Gypsograph printed in light-brown-bistre on laid paper, circa 1895-1900.Reference: unidentified or missing in BN-IFF. One of a handful of impressio...
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Etching on chine-collé on thick wove paper. References: Beraldi supplement 36; not in BN-IFF. Le Blanc mentioned that this plate was destroyed befo...
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