
Westward
DE MARTELLY, John Stockton
Drypoint on BFK Rives wove paper. Reference: Zinc 68 (?).Scarce. No known edition. Just a handful of impressions seem to have survived, some signed...
View full detailsDrypoint on BFK Rives wove paper. Reference: Zinc 68 (?).Scarce. No known edition. Just a handful of impressions seem to have survived, some signed...
View full detailsLithograph on wove paper. Reference: Barker 123. Edition of 31.Signed in pencil.
Graphite on wove paper, circa 1925. Preparatory and transfer drawing for a lithograph, with clear transfer indication on the verso. This is very li...
View full detailsLe Petit Chasseur (original French title) Lithograph printed in brown-gray ink on tissue-thin paper, mounted on a thick support sheet, likely to pr...
View full detailsLithograph printed on “GCM” wove paper.Reference: Windisch, Cole, and Herbaugh 324.Published by Associated American Artists (AAA), in an edition of...
View full detailsEtching, drypoint, aquatint and stop-out on heavy wove paper. Reference: BN-IFF 1-3. Edition of 50. His etchings are very scarce. Signed and numb...
View full detailsLithograph on laid chine paper. Rare proof impression, aside from the book edition titled "Allo! Paris!". Before the publication by "Editions des...
View full detailsDrypoint on laid paper. Reference: McCarron 87. Total edition of 91, including 10 trial proofs.Signed in pencil.
Drypoint on wove paper with two flower watermarks (papermaker unidentified).Reference: McCarron 76. Edition of 84. Lewis uses the dramatic nighttim...
View full detailsDrypoint on wove paper.Reference: McCarron 62. Second state of two, after crosshatching and contrasting elements were added throughout the plate. T...
View full detailsWood engraving on thin laid paper. Edition unknown, but likely one of a handful of impressions only. Our colleagues and friends at The Annex Galler...
View full detailsLithograph on wove paper, 1940. Reference: Rose &Quiroz 58. Edition of 35. Prentiss Taylor was an active member of the multidisciplinary art mo...
View full detailsLithograph on Rives wove paper, no date. Edition unknown, but likely small if any. Scarce.Signed in pencil.
Etching, printed on laid paper. Reference: Fletcher 248. From the French Church Series, plate 34. Signed and dated, and annotated “II” in pencil.
Etching on wove paper. Reference: Fletcher 65. Artist’s proof from the tenth and final state, aside from the edition. Signed in pencil and annotate...
View full detailsEtching on laid paper, circa 1930.Edition unknown, but likely small, like most of Ripley’s prints.Signed and titled in pencil.
La Méchante (original French title) Etching and drypoint on wove paper, 1920.Reference: Hardie 179.Edition unknown, as it hadn't been published yet...
View full detailsColor woodcut (woodblock print) on Japan paper, no date. Edition unknown, but likely small. Signed in pencil.
La Tamise à Londres (original French title) Woodcut “en camaieu” (black, gray, and pale-blue) on thin laid Japan paper.Reference: BN-IFF 86.Two imp...
View full detailsSeigneur Prenez Pitié… (original French title) Aquatint printed in blue and warm-gray inks on wove BFK Rives paper, circa 1918. This plate was poss...
View full detailsRennende Paarden or Twee Ruiters (original Dutch titles) Woodcut on laid paper. No stated edition, but quite scarce, as are most of Rinsema’s woodc...
View full detailsDroom der Aanbidden (original Dutch title) Etching and aquatint printed on thick tan wove paper.Two states, one without the background of the sun’s...
View full detailsLithograph on Montval laid paper, 1929.Edition 250. Printed by Adolphe Braun & Co, Paris.Signed in pencil. This composition has a particularly ...
View full detailsColor woodcut (woodblock print) on Japan paper, no date. Edition unknown, but likely small. Signed in pencil.
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