Londres d’après Luce
VILLON, Jacques
Color aquatint on Arches wove paper.Reference: Ginestet & Pouillon 663.Edition of 200.In the late 1920's Villon etched a number of prints after...
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Color aquatint on Arches wove paper.Reference: Ginestet & Pouillon 663.Edition of 200.In the late 1920's Villon etched a number of prints after...
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Drypoint on BFK Rives wove paper. Reference: Zinc 68 (?).Scarce. No known edition. Just a handful of impressions seem to have survived, some signed...
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Lithograph on wove paper. Reference: Barker 123. Edition of 31.Signed in pencil.
Graphite on wove paper, circa 1925. Preparatory and transfer drawing for a lithograph, with clear transfer indication on the verso. This is very li...
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Le Petit Chasseur (original French title) Lithograph printed in brown-gray ink on tissue-thin paper, mounted on a thick support sheet, likely to pr...
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Lithograph printed on “GCM” wove paper.Reference: Windisch, Cole, and Herbaugh 324.Published by Associated American Artists (AAA), in an edition of...
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Etching, drypoint, aquatint and stop-out on heavy wove paper. Reference: BN-IFF 1-3. Edition of 50. His etchings are very scarce. Signed and numb...
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Lithograph on laid chine paper. Rare proof impression, aside from the book edition titled "Allo! Paris!". Before the publication by "Editions des...
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Drypoint on wove paper with two flower watermarks (papermaker unidentified).Reference: McCarron 76. Edition of 84. Lewis uses the dramatic nighttim...
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Wood engraving on thin laid paper. Edition unknown, but likely one of a handful of impressions only. Our colleagues and friends at The Annex Galler...
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Lithograph on Rives wove paper, no date. Edition unknown, but likely small if any. Scarce.Signed in pencil.
Etching, printed on laid paper. Reference: Fletcher 248. From the French Church Series, plate 34. Signed and dated, and annotated “II” in pencil.
Etching on wove paper. Reference: Fletcher 65. Artist’s proof from the tenth and final state, aside from the edition. Signed in pencil and annotate...
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Etching on laid paper, circa 1930.Edition unknown, but likely small, like most of Ripley’s prints.Signed and titled in pencil.
La Méchante (original French title) Etching and drypoint on wove paper, 1920.Reference: Hardie 179.Edition unknown, as it hadn't been published yet...
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Color woodcut (woodblock print) on Japan paper, no date. Edition unknown, but likely small. Signed in pencil.
La Tamise à Londres (original French title) Woodcut “en camaieu” (black, gray, and pale-blue) on thin laid Japan paper.Reference: BN-IFF 86.Two imp...
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Seigneur Prenez Pitié… (original French title) Aquatint printed in blue and warm-gray inks on wove BFK Rives paper, circa 1918. This plate was poss...
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Rennende Paarden or Twee Ruiters (original Dutch titles) Woodcut on laid paper. No stated edition, but quite scarce, as are most of Rinsema’s woodc...
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Droom der Aanbidden (original Dutch title) Etching and aquatint printed on thick tan wove paper.Two states, one without the background of the sun’s...
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Lithograph on Montval laid paper, 1929.Edition 250. Printed by Adolphe Braun & Co, Paris.Signed in pencil. This composition has a particularly ...
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Color woodcut (woodblock print) on Japan paper, no date. Edition unknown, but likely small. Signed in pencil.
Etching on wove paper Reference: not in Novák. Edition unknown. Signed in pencil, and bearing the artist’s red monogram stamp.
Danseuse, Ouled-Djellal (original French title) Drypoint on thin wove paper.Reference: BN-IFF 249. Edition of 55. Signed and numbered in pencil.
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