Foggy Day
FUJITA, Fumio
Woodblock print (color woodcut) on Japan wove paper. Edition of 200. Signed, dated, numbered, and titled in Japanese in pencil.
Woodblock print (color woodcut) on Japan wove paper. Edition of 200. Signed, dated, numbered, and titled in Japanese in pencil.
Woodblock print (color woodcut) on Japan wove paper. Edition of 200. Signed, dated, numbered, and titled in Japanese in pencil.
Petite Fille Cueillant des Fleurs dans un Pré (original French title) Color aquatint and etching on wove paper, c. 1910.Ref: not in BN-IFF. Stated ...
View full detailsSimultaneous color printing (a.k.a. color viscosity) intaglio print on Arches wove paper, 1962-63. A great diversity of annotations and numbering c...
View full detailsColor woodcut and silkscreen with raised embossing on wove paper. Reference: Maki-Tretiak 202. Interestingly the matrix for this print was also use...
View full detailsAquatint and etching on thick tan wove paper.Signed in pencil. Provenance: Estate of William Greenbaum, Gloucester, Massachusetts, a true gentleman...
View full detailsColor woodcut on thin wove japan paper.Signed and titled in pencil.Provenance: Estate of William Greenbaum, Gloucester, Massachusetts, a true gentl...
View full detailsColor woodcut on thin wove japan paper.Signed and titled in pencil.Provenance: Estate of William Greenbaum, Gloucester, Massachusetts, a true gentl...
View full detailsColor woodcut on thin wove japan paper.Signed and titled in pencil.Provenance: Estate of William Greenbaum, Gloucester, Massachusetts, a true gentl...
View full detailsColor woodcut on thin wove japan paper.Signed and titled in pencil.Provenance: Estate of William Greenbaum, Gloucester, Massachusetts, a true gentl...
View full detailsInk and graphite on wove sketchbook paper. The sheet folded twice vertically, likely to fit in a breast pocket. Torn top left sheet corner. Overall...
View full detailsEtching on thin wove japan paper.Edition of 50.This is thought to be the artist's first etching.Signed, titled, numbered and dated in pencil. Prove...
View full detailsEtching on laid paper.Presumed edition of 50.Initialed and dated in the plate, and signed in pencil. We add the preparatory drawing: Ink on wove sk...
View full detailsEngraving on laid Monval verdâtre (light greenish-blue) paper. Reference: Tonneau-Ryckelynck & Plumart 189. Plate 10 from the series "Animaux"....
View full detailsEngraving on laid Monval verdâtre (light greenish-blue) paper. Reference: Tonneau-Ryckelynck & Plumart 185. Plate 6 from the series "Animaux".P...
View full detailsEngraving on laid Monval verdâtre (light greenish-blue) paper. Reference: Tonneau-Ryckelynck & Plumart 181. Plate 2 from the series "Animaux".P...
View full detailsEngraving on laid Monval verdâtre (light greenish-blue) paper. Reference: Tonneau-Ryckelynck & Plumart 180. Plate 1 from the series "Animaux". ...
View full detailsColor woodcut printed on japan wove paper, circa 1964. Artist’s proof. No known edition.Signed, titled, dated, and annotated “a/p” in pencil. Print...
View full detailsGypsograph printed in light-brown-bistre on laid paper, circa 1895-1900.Reference: unidentified or missing in BN-IFF. One of a handful of impressio...
View full detailsLe Vent (original French title) Lithograph printed in color on wove paper, 1901.Ref: Levasseur & Le Bohec lith. 69.From the series of 16 lithog...
View full detailsLe Crépuscule (original French title) Lithograph printed in color on wove paper, 1901-02.Ref: Levasseur & Le Bohec lith. 73.From the series of ...
View full detailsColor woodcut on japan paper.Edition of 100.Signed, titled, and numbered in pencil.
Study for "La Boucherie"Oil on board, 1897-98.This is a study for a larger square oil on board titled "La Boucherie" from 1898, which is listed in ...
View full detailsIntaglio, probably aquatint, as well as some direct etching and engraving, printed in color through simultaneous color printing (a.k.a. color visco...
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