Flemish Interior
BRESDIN, Rodolphe
Intérieur Flamand (original French title) Etching on chine-collé, circa 1856-1866. Reference: Van Gelder 86, BN-IFF 32. Dates for this etching, ...
View full detailsIntérieur Flamand (original French title) Etching on chine-collé, circa 1856-1866. Reference: Van Gelder 86, BN-IFF 32. Dates for this etching, ...
View full detailsLe Ruisseau des Gorges or Les Rochers (original French title) Lithographic transfer of an etching, on chine-collé, as the artist was prone to doi...
View full detailsLe Chêne en Eventail, Vallée de la Solle (original French title) Etching on chine-collé on thick wove paper. References: Beraldi supplement 37; no...
View full detailsLithograph on Rives wove paper. Edition of 40. The artist apparently made another version of such a Roman ruin in a Southwestern landscape. Signed,...
View full detailsEtching on "papier verdâtre" (pale green) laid paper. Reference: Fletcher 384 iii/iii. Signed and dated in pencil. A miracle of miniature printmak...
View full detailsEtching on wove paper. References: Beraldi 10; Lalanne 8; BN-IFF 9-4. One of four prints for the "Société des Aquafortistes", 2nd year, 1865-66. I...
View full detailsColor mezzotint on wove paper.Edition of 100. Signed, titled, dated, and numbered in pencil.
Color mezzotint on wove paper.Edition of 75. Signed, titled, dated, and numbered in pencil.
Etching on chine-collé on BFK Rives wove paper. Reference: Fitch-Febvrel 68. Edition of 90. Signed, titled, dated, and numbered in pencil.
Gouache and watercolor on wove paper. Signed and dated in gouache. Housed in a mat cut to the shape of the image.
Etching on Japan wove paper.Reference: Bruette 102, LOC 301. Narrow margins.
Very fine pen and black ink drawing on wove paper, no date.This drawing was created for reproduction, but its purpose is as of yet not identified. ...
View full detailsPencil with pale-blue touches on board. Provenance: collection Mrs. Ernest Haskell, Jr; exhibited at Crocker Art Gallery in 1976 retrospective, Sac...
View full detailsDrypoint on wove paper with two flower watermarks (papermaker unidentified).Reference: McCarron 76. Edition of 84. Lewis uses the dramatic nighttim...
View full detailsLithograph on wove paper. Reference: Stuckey 194. Edition of 50. This subject was drawn in Ogunquit, Maine. Signed and annotated in pencil.
Lithograph on wove paper. Edition of 90.Signed, titled, and numbered in pencil.
Color mezzotint on Arches wove paper.Edition of 75.Signed, titled, dated, and numbered in pencil.
Etching on wove paper.Reference: Windisch. Cole, and Herbaugh 667. Published by Associated American Artists (AAA), in an edition of 250. Signed in ...
View full detailsEtching, printed on laid paper. Reference: Fletcher 248. From the French Church Series, plate 34. Signed and dated, and annotated “II” in pencil.
Etching on wove paper. Reference: Fletcher 65. Artist’s proof from the tenth and final state, aside from the edition. Signed in pencil and annotate...
View full detailsAquatint and soft-ground etching printed in color on simili-Japan wove paper,Reference: Novák 192. Edition of 200. Signed and numbered in pencil,...
View full detailsGraphite drawing on paper, mounted on thin board, circa 1920-30. An elaborately detailed and large drawing by an artist who remains surprisingly un...
View full detailsDrypoint (possibly etching) printed in black on F.J.H. Menpes laid paper, n.d. Edition unknown, but very likely small.Signed in pencil.
Color aquatint and etching on laid paper, no date. Edition of 50.Signed and numbered
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