Blue Jay
VAN OMMEN, Erik
Blauwe Gaai (original Dutch title) Color woodcut reduction. Edition of 35. Signed and numbered in pencil.
Blauwe Gaai (original Dutch title) Color woodcut reduction. Edition of 35. Signed and numbered in pencil.
Color linocut on Stonehenge wove paper.Edition of 100.Signed, titled, and numbered in pencil.
Zilverplevieren (original Dutch title) Color woodcut reduction. Edition of 25. Signed and numbered in pencil.
Lithograph on wove paper. Edition of 12.Agnes Tait's output wasn’t large and most of her editions were small. This is an extremely scarce lithograp...
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Drypoint on BFK Rives wove paper. Reference: Zinc 68 (?).Scarce. No known edition. Just a handful of impressions seem to have survived, some signed...
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Intérieur Flamand (original French title) Etching on chine-collé, circa 1856-1866. Reference: Van Gelder 86, BN-IFF 32. Dates for this etching, ...
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Le Chêne en Eventail, Vallée de la Solle (original French title) Etching on chine-collé on thick wove paper. References: Beraldi supplement 37; no...
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Etching on "papier verdâtre" (pale green) laid paper. Reference: Fletcher 384 iii/iii. Signed and dated in pencil. A miracle of miniature printmak...
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Etching on wove paper. References: Beraldi 10; Lalanne 8; BN-IFF 9-4. One of four prints for the "Société des Aquafortistes", 2nd year, 1865-66. I...
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Etching on chine-collé on BFK Rives wove paper. Reference: Fitch-Febvrel 68. Edition of 90. Signed, titled, dated, and numbered in pencil.
Gouache and watercolor on wove paper. Signed and dated in gouache. Housed in a mat cut to the shape of the image.
Etching on Japan wove paper.Reference: Bruette 102, LOC 301. Narrow margins.
Pencil with pale-blue touches on board. Provenance: collection Mrs. Ernest Haskell, Jr; exhibited at Crocker Art Gallery in 1976 retrospective, Sac...
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Drypoint on wove paper with two flower watermarks (papermaker unidentified).Reference: McCarron 76. Edition of 84. Lewis uses the dramatic nighttim...
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Lithograph on wove paper. Reference: Stuckey 194. Edition of 50. This subject was drawn in Ogunquit, Maine. Signed and annotated in pencil.
Lithograph on wove paper. Edition of 90.Signed, titled, and numbered in pencil.
Color mezzotint on Arches wove paper.Edition of 75.Signed, titled, dated, and numbered in pencil.
Etching on wove paper.Reference: Windisch. Cole, and Herbaugh 667. Published by Associated American Artists (AAA), in an edition of 250. Signed in ...
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Etching, printed on laid paper. Reference: Fletcher 248. From the French Church Series, plate 34. Signed and dated, and annotated “II” in pencil.
Etching on wove paper. Reference: Fletcher 65. Artist’s proof from the tenth and final state, aside from the edition. Signed in pencil and annotate...
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Aquatint and soft-ground etching printed in color on simili-Japan wove paper,Reference: Novák 192. Edition of 200. Signed and numbered in pencil,...
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Drypoint (possibly etching) printed in black on F.J.H. Menpes laid paper, n.d. Edition unknown, but very likely small.Signed in pencil.
Color aquatint and etching on laid paper, no date. Edition of 50.Signed and numbered
Ramasseurs de Bouts de Cigares au Pont de Grenelle (original French title) Aquatint, soft-ground, and etching on laid paper.Reference: Morane 38. ...
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