Always (for another war)
DZHURAEVA, Olesya
Linocut.Edition of 30.Signed, titled and numbered “14/30” in pencil. In the collection of the Victoria & Albert Museum.
Linocut.Edition of 30.Signed, titled and numbered “14/30” in pencil. In the collection of the Victoria & Albert Museum.
Plumes de Paon (original French title)Color mezzotint printed on wove paper. Edition of 70. Second state of two, after the plate was completely r...
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Nourrices, Enfants, et une Maman dans un Jardin Parisien (descriptive French title) Color aquatint and etching on laid Arches paper, circa 1895.Ref...
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Ijsbeer (original Dutch title)From the edition of 27.Signed and numbered in pencil.
Zilverplevieren (original Dutch title) Color woodcut reduction. Edition of 25. Signed and numbered in pencil.
Etching on thick cream wove paper. Monogrammed TN and dated "99" in the lower left plate corner.Blindstamped KUNST lower left corner of sheet.
Lithograph in brown ink on wove paper. Reference: Bonafous-Murat, Maurice Dumont et L’Épreuve 238. As published in "L'Epreuve", Paris, in edition ...
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Le Chêne en Eventail, Vallée de la Solle (original French title) Etching on chine-collé on thick wove paper. References: Beraldi supplement 37; no...
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"Convoi Funèbre au Boulevard de Clichy" (original French title) Etching, aquatint, roulette, and touches of drypoint printed in color, from three p...
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Color woodcut (woodblock print) on Japan paper. Edition unknown.Signed in pencil.
Etching on thick wove paper.Reference: Bliss 503 ii/ix.Before the etched borderline, before the plate was cut down, and before the composition was ...
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Etching on laid paper. References: Bruette/Roullier 154 i/ii, LOC 181. Signed in pencil. Cut to the platemark (very likely by the artist).
Etching on Japan wove paper.Reference: Bruette 102, LOC 301. Narrow margins.
Lithograph on wove paper. Reference: Stuckey 194. Edition of 50. This subject was drawn in Ogunquit, Maine. Signed and annotated in pencil.
Lithograph on wove paper. Reference: Stuckey 196. Edition of 65. This subject was drawn in Ogunquit, Maine.Signed and annotated in pencil.
Also know as a Spanish Town Revisited Etching on wove paper. Reference: Fletcher 142. From the Spanish Church Series, plate 2. Edition of 150 Signe...
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Cut-out and embossed color aquatint on Arches wove paper. Reference: Arnaud 585.Edition of 150, published by the “Société des Peintres-Graveurs Fra...
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Tête de Coq (original French title) Color woodcut (woodblock print in Japanese manner, with water-based inks) on laid Japan paper, circa 1908-1912....
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La Tamise à Londres (original French title) Woodcut “en camaieu” (black, gray, and pale-blue) on thin laid Japan paper.Reference: BN-IFF 86.Two imp...
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Color aquatint and etching on wove paper, 1987.Edition of 95. Neumühlen is a strip of land along the Elbe River in Hamburg, Germany which was once ...
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Rennende Paarden or Twee Ruiters (original Dutch titles) Woodcut on laid paper. No stated edition, but quite scarce, as are most of Rinsema’s woodc...
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Lithograph on thin tan chine paper, 1887. Reference: Mellerio 71. This is a proof aside from the scarce edition of 25 on chine-collé, printed by L...
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Woodblock print, color woodcut, printed on Japan wove paper, circa 1950-60. Bearing the artist’s red seal and stamped “Kiyochi Saito” in black ink ...
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Wood engraving on laid japon volant paper. Edition unknown. Scarce. Pinto depicted ballerinas both in print and in painting. They usually do not re...
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