The Falcon
DETMOLD, Edward Julius
Etching printed in brownish-black ink on thick wove paper. Reference: Campbell Dodgson 7. As issued in The Artist Engraver, April 1904.Fine selecti...
View full detailsEtching printed in brownish-black ink on thick wove paper. Reference: Campbell Dodgson 7. As issued in The Artist Engraver, April 1904.Fine selecti...
View full detailsDrypoint and direct bite on laid paper, 1900. Reference: Tabanelli 47. Second state of two.Total edition of 40 on a variety of papers, according to...
View full detailsLes Œufs de Pâques (original French title) Etching on laid "Dambrecourt Freres" paper. References: Beraldi 6-4 ; not in BN-IFF. Theater program fo...
View full detailsLithograph on wove paper, 1944. Edition of 50.The artist apparently made another version of such a Roman ruin in a Southwestern landscape.Signed, d...
View full detailsLithograph printed on “GCM” wove paper.Reference: Windisch, Cole, and Herbaugh 324.Published by Associated American Artists (AAA), in an edition of...
View full detailsLa Galerie, Notre-Dame, Paris (original French title) Etching on laid paper.References: Schneiderman 29 (iii/vi), Delteil-Wright 26 (iii/v). Third...
View full detailsLe Ramassage des Pommes (descriptive French title) Original drawing, pencil and pen and black ink, with tiny touches of orange on thin paper, laid ...
View full detailsCochons au Soleil (original French title) Drypoint (mostly with the burr shaved off), aquatint, roulette, and very probably touches of etching prin...
View full detailsLa Traversée - A Holyday, Rain, Storm and Music (original title) Etching, aquatint, roulette, and drypoint on laid paper.Reference: Bourcard & ...
View full detailsFrontispice pour 'Les Zigzags d’un Curieux' d’Octave Uzanne (original French title) Etching printed "à l’essence" on old thin laid paper, 1888.Refe...
View full detailsLe Chêne en Eventail, Vallée de la Solle (original French title) Etching on chine-collé on thick wove paper. References: Beraldi supplement 37; no...
View full detailsMoulin près de l'Alby en Savoye (original French title) Etching on chine-collé on thick paper, 1846. References: Beraldi 58; Le Blanc 62; BN-IFF...
View full detailsLa Vieille Femme, l'Enfant et les Basset (original French title) Drypoint on Arches wove paper. Reference: Bouvet 104. Edition of 100. Published b...
View full detailsLithograph in brown ink on wove paper. Reference: Bonafous-Murat, Maurice Dumont et L’Épreuve 238. As published in "L'Epreuve", Paris, in edition ...
View full detailsLe Ruisseau des Gorges or Les Rochers (original French title) Lithographic transfer of an etching, on chine-collé, as the artist was prone to doi...
View full detailsIntérieur Flamand (original French title) Etching on chine-collé, circa 1856-1866. Reference: Van Gelder 86, BN-IFF 32. Dates for this etching, ...
View full detailsLithograph on a large sheet of heavy, white wove paper.Reference: Bourcard & Goodfriend 183 ii/ii.Beautiful and fresh impression, before any of...
View full detailsOriginal drawing in watercolor, gouache, crayon, pen and ink on card stock wove paper, circa 1877. We add an impression of the etching, with drypoi...
View full detailsLa Place des Martyrs et la Taverne du Bagne (original French title) Etching and aquatint printed in two tones on tan wove paper.Reference: Bourcard...
View full detailsEtching on thin laid japon paper.Reference: Bourcard & Goodfriend 11 i/iii. The rare first state in pure etching and before letters.This is th...
View full detailsEmbarcadère à Trouville (original French title) Etching, aquatint, and drypoint on white laid paper.Reference: Bourcard & Goodfriend 126 iii/v....
View full detailsLe Hibou (original French title) Etching, aquatint, roulette, and drypoint on olive-greenish laid paper, 1893.Reference: Bourcard & Goodfriend ...
View full detailsLes Bergeries, Soleil Couchant (original French title) Etching and aquatint printed in warm brownish-black ink on simili-japon wove paper.Reference...
View full detailsLe Peintre de Marine (original French title) Etching, aquatint, likely with touches of drypoint, on laid paper.Reference: Bourcard & Goodfriend...
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