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Black & White

There is a misconception about works of art composed in so called "black and white".  It seems to some that this lack of color is somehow less desirable.  Yet artists throughout history have used single colors to focus on composition or on gradations from light to dark.  Without the distraction of color, these creative building blocks become more prevalent.  In this section, we challenge the viewer to focus on "monochromatic" (single-colored) compositions.  Chances are that by the time you have looked at a few works, your mind will hone in on details you don't usually notice, and that you may even start to "see" colors that aren't actually there.
Felix Buhot - Cochons au Soleil - second state - detail Sold
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Pigs in the Sun

BUHOT, Felix

Cochons au Soleil (original French title) Drypoint (mostly with the burr shaved off), aquatint, roulette, and very probably touches of etching prin...

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Felix Buhot - Le Hibou - detail - impression a l'essence
$8,300

The Owl

BUHOT, Felix

Le Hibou (original French title) Etching, aquatint, roulette, and drypoint on olive-greenish laid paper, 1893.Reference: Bourcard & Goodfriend ...

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Felix Buhot - Le Petit Chasseur - lithograph - first state of two - detail
$3,375

The Little Hunter

BUHOT, Felix

Le Petit Chasseur (original French title) Lithograph printed in brown-gray ink on tissue-thin paper, mounted on a thick support sheet, likely to pr...

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Felix Buhot - Foret - very dark impression - detail
$1,250

Forest

BUHOT, Felix

Forêt (original French title) Etching on laid paper, circa 1874.Reference: Bourcard & Goodfriend 42.A rich impression, the black ink almost pou...

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Felix Buhot - Pluie et Parapluie - detail
$825

Rain and Umbrella

BUHOT, Felix

Pluie et Parapluie (original French title) Etching, possibly with touches of drypoint, printed on laid paper (partial watermark suggesting Arches),...

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Felix Buhot - La Ronde de Nuit - detail Sold
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The Night Watch

BUHOT, Felix

La Ronde de Nuit (original French title) Etching, drypoint, and aquatint on laid paper, 1878.Reference: Bourcard & Goodfriend 70 i/iii.  This i...

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