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Black & White

There is a misconception about works of art composed in so called "black and white".  It seems to some that this lack of color is somehow less desirable.  Yet artists throughout history have used single colors to focus on composition or on gradations from light to dark.  Without the distraction of color, these creative building blocks become more prevalent.  In this section, we challenge the viewer to focus on "monochromatic" (single-colored) compositions.  Chances are that by the time you have looked at a few works, your mind will hone in on details you don't usually notice, and that you may even start to "see" colors that aren't actually there.
Henry Ziegler - Night Flight - aquatint burnisher mezzotint effect - early aviation Sold
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Night Flight

ZIEGLER, Henry

Aquatint, burnisher and drypoint on wove paper, c. 1925.Artist’s proof, aside from an unknown edition; if one was actually printed, which is doubtf...

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Robert Von Neumann - The Four Netmenders - woodcut - 4 men on beach fixing fishing net Sold
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The Four Netmenders

VON NEUMANN, Robert

Woodcut on China paper. Published by the Woodcut Society (Kansas City), 1950. Edition of 200. Signed and titled in pencil. Image: 11 x 8 ⅜ inches. ...

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Beach Scene Sold
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Beach Scene

PINTO, Salvatore

Wood engraving on cream laid japon volant paper.Edition of 50.Signed and titled in pencil. Very think scattered foxing; barely noticeable.  

Stow Wengenroth - Sea Wings - lithograph 1950 - Stuckey 190 Sold
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Sea Wings

WENGENROTH, Stow

Lithograph on wove paper. Reference: Stuckey 190. Edition of 40. This subject was drawn in Ogunquit, Maine. Signed and annotated in pencil.

Stow Wengenroth - Terns - lithograph 1951 - Stuckey 196 - detail
$700

Terns

WENGENROTH, Stow

Lithograph on wove paper. Reference: Stuckey 196. Edition of 65. This subject was drawn in Ogunquit, Maine.Signed and annotated in pencil.