Filters

color

era

exhibition

format

location

nationality

printer

publisher

sale

scale

scape

style

subject

technique

weather

year

Black & White

There is a misconception about works of art composed in so called "black and white".  It seems to some that this lack of color is somehow less desirable.  Yet artists throughout history have used single colors to focus on composition or on gradations from light to dark.  Without the distraction of color, these creative building blocks become more prevalent.  In this section, we challenge the viewer to focus on "monochromatic" (single-colored) compositions.  Chances are that by the time you have looked at a few works, your mind will hone in on details you don't usually notice, and that you may even start to "see" colors that aren't actually there.
Felix Buhot - LOrage - countryside - intaglio -BG145 Sold
View Details

L'Orage

BUHOT, Felix

Etching, drypoint and roulette printed on laid Arches paper, after a painting by John Constable, 1879. Ref: Bourcard & Goodfriend 145 iv/vii. A...

View full details
Roger Medearis - High Noon - lithograph - woman and girl on hay bales in farm field Sold
View Details

High Noon

MEDEARIS, Roger

Lithograph on white wove paper.Edition of 100. Numbered, titled, signed and dated in pencil. Very fine impression in pristine condition.

Gene Kloss - Sundown - etching and aquatint - rider at night in desolate western landscape - detail1 Sold
View Details

Sundown

KLOSS, Gene

Aquatint, etching, and drypoint on Arches wove paper.Reference: Sanchez 517.Edition of 50.Compared to another version of this print, titled “Riders...

View full details
Stow Wengenroth - Terns - lithograph 1951 - Stuckey 196 - detail
$700

Terns

WENGENROTH, Stow

Lithograph on wove paper. Reference: Stuckey 196. Edition of 65. This subject was drawn in Ogunquit, Maine.Signed and annotated in pencil.

Stow Wengenroth - Windy Dunes - lithograph 1951 - Stuckey 194 - detail
$600

Windy Dunes

WENGENROTH, Stow

Lithograph on wove paper. Reference: Stuckey 194. Edition of 50. This subject was drawn in Ogunquit, Maine. Signed and annotated in pencil.