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Black & White

There is a misconception about works of art composed in so called "black and white".  It seems to some that this lack of color is somehow less desirable.  Yet artists throughout history have used single colors to focus on composition or on gradations from light to dark.  Without the distraction of color, these creative building blocks become more prevalent.  In this section, we challenge the viewer to focus on "monochromatic" (single-colored) compositions.  Chances are that by the time you have looked at a few works, your mind will hone in on details you don't usually notice, and that you may even start to "see" colors that aren't actually there.
Felix Buhot - LOrage - countryside - intaglio -BG145 Sold
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L'Orage

BUHOT, Felix

Etching, drypoint and roulette printed on laid Arches paper, after a painting by John Constable, 1879. Ref: Bourcard & Goodfriend 145 iv/vii. A...

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Henry Ziegler - Night Flight - aquatint burnisher mezzotint effect - early aviation Sold
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Night Flight

ZIEGLER, Henry

Aquatint, burnisher and drypoint on wove paper, c. 1925.Artist’s proof, aside from an unknown edition; if one was actually printed, which is doubtf...

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Prentiss Taylor - Louisburg Square - lithograph - city scape w statue row houses - boston
$600

Louisburg Square

TAYLOR, Prentiss

Lithograph on Rives wove paper. Reference: Rose & Quiroz 27. Edition of 20. Titled, editioned, signed and dated “April 1933” in pencil. Very fi...

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Gene Kloss - Sundown - etching and aquatint - rider at night in desolate western landscape - detail1 Sold
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Sundown

KLOSS, Gene

Aquatint, etching, and drypoint on Arches wove paper.Reference: Sanchez 517.Edition of 50.Compared to another version of this print, titled “Riders...

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William J. Sewell - Lovers Embrace - interratial love in time of segragation - 1945 - detail
$400

Lover’s Embrace

SEWELL, William J.

Lithograph on wove paper, 1945.No stated edition, and scarce. It isn’t clear that any editions were ever printed of any of the artist’s few lithogr...

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Stow Wengenroth - Sea Wings - lithograph 1950 - Stuckey 190
$600

Sea Wings

WENGENROTH, Stow

Lithograph on wove paper. Reference: Stuckey 190. Edition of 40. This subject was drawn in Ogunquit, Maine. Signed and annotated in pencil.

Stow Wengenroth - Terns - lithograph 1951 - Stuckey 196 - detail
$700

Terns

WENGENROTH, Stow

Lithograph on wove paper. Reference: Stuckey 196. Edition of 65. This subject was drawn in Ogunquit, Maine.Signed and annotated in pencil.

Stow Wengenroth - Windy Dunes - lithograph 1951 - Stuckey 194 - detail
$600

Windy Dunes

WENGENROTH, Stow

Lithograph on wove paper. Reference: Stuckey 194. Edition of 50. This subject was drawn in Ogunquit, Maine. Signed and annotated in pencil.