Woman on the Bank of a Pond
APPIAN, Adolphe
Femme au Bord d'un Etang (descriptive French title) Charcoal, wash and scraping, and some sepia on cream paper.Signed and dated, lower left corner....
View full detailsFemme au Bord d'un Etang (descriptive French title) Charcoal, wash and scraping, and some sepia on cream paper.Signed and dated, lower left corner....
View full detailsEtching and mezzotint (or roulette), with scraper, printed on japon paper.Signed and dedicated “To Monsieur et Madame Gabrielle Mouret – With best ...
View full detailsLithograph on wove paper, n.d.Edition of 50.Signed and titled in pencil.Bearing “The Shealing – Danby, Vermont” drystamp (as well as an “E.F.L. dry...
View full detailsLithograph on wove paper.Edition unknown, but probably circa 50.Signed and titled in pencil.The slightest discoloration inside a prior mat window.
La Route de Landemer, Pointe de La Hague (original French title) Soft-ground etching and aquatint on laid Arches paper. Reference: Morane 7.Third s...
View full detailsLithograph on white wove paper.Edition of 100. Numbered, titled, signed and dated in pencil. Very fine impression in pristine condition.
Toi qui seras César-Auguste, enfant divin…or Allégorie sur le Prince Impérial (original French titles) Also titled: You Who Will Be Cesar-Augustus,...
View full detailsAquatint, etching, and drypoint on Arches wove paper.Reference: Sanchez 517.Edition of 50.Compared to another version of this print, titled “Riders...
View full detailsFerme Bretonne au Soleil (French title) Etching and aquatint on laid Ch Wittman paper, no date. Reference: Morane 63. Titled “[La Ferme dans le so...
View full detailsRetour de Pêche la Nuit (original French title) Etching and aquatint on laid paper. Reference: Morane 16.Annotated as a fourth state. As Morane com...
View full detailsAngélique à Sa Porte (original French title) Soft-ground etching, etching, and aquatint on laid paper. Reference: Morane 15.We present two states o...
View full detailsLithograph on GCM (Rives) wove paper. Reference: Flint 191. Edition of 20. Signed in pencil.
Paysage (original French title) Etching and drypoint on Arches laid paper, before 1888. Reference: Duvivier 172.Edition unknown. One impression wa...
View full detailsLithograph on wove paper. Reference: Stuckey 190. Edition of 40. This subject was drawn in Ogunquit, Maine. Signed and annotated in pencil.
Lithograph on wove paper. Reference: Stuckey 196. Edition of 65. This subject was drawn in Ogunquit, Maine.Signed and annotated in pencil.
Lithograph on wove paper. Reference: Stuckey 194. Edition of 50. This subject was drawn in Ogunquit, Maine. Signed and annotated in pencil.
Very fine pen and black ink drawing on wove paper, no date.This drawing was created for reproduction, but its purpose is as of yet not identified. ...
View full detailsLithograph on wove paper. Edition of 50.The artist apparently made another version of a Parisian window view with the same title. Both are surprisi...
View full detailsEtching on laid japon paper.Reference: Delteil 124 between i/ii and ii/iii.Almost certainly a state between Delteil's first and second, with the mo...
View full detailsEtching and drypoint printed in two tones on simili-Japan paper. Reference: Bourcard & Goodfriend 177. Seventh and final state. A beautiful “sa...
View full detailsEtching on laid paper, circa 1905-1910. Reference: not in BN-IFF. Stated edition of 30. Son of Tony Beltrand, who died very young. The work is ext...
View full detailsLithograph on wove paper, 1944. Edition of 50.The artist apparently made another version of such a Roman ruin in a Southwestern landscape.Signed, d...
View full detailsLa Ronde de Nuit (original French title) Etching, drypoint, and aquatint on laid paper, 1878.Reference: Bourcard & Goodfriend 70 i/iii. This i...
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