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Black & White

There is a misconception about works of art composed in so called "black and white".  It seems to some that this lack of color is somehow less desirable.  Yet artists throughout history have used single colors to focus on composition or on gradations from light to dark.  Without the distraction of color, these creative building blocks become more prevalent.  In this section, we challenge the viewer to focus on "monochromatic" (single-colored) compositions.  Chances are that by the time you have looked at a few works, your mind will hone in on details you don't usually notice, and that you may even start to "see" colors that aren't actually there.
Stow Wengenroth - Sea Wings - lithograph 1950 - Stuckey 190 Sold
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Sea Wings

WENGENROTH, Stow

Lithograph on wove paper. Reference: Stuckey 190. Edition of 40. This subject was drawn in Ogunquit, Maine. Signed and annotated in pencil.

Stow Wengenroth - Terns - lithograph 1951 - Stuckey 196 - detail
$700

Terns

WENGENROTH, Stow

Lithograph on wove paper. Reference: Stuckey 196. Edition of 65. This subject was drawn in Ogunquit, Maine.Signed and annotated in pencil.

Stow Wengenroth - Windy Dunes - lithograph 1951 - Stuckey 194 - detail
$600

Windy Dunes

WENGENROTH, Stow

Lithograph on wove paper. Reference: Stuckey 194. Edition of 50. This subject was drawn in Ogunquit, Maine. Signed and annotated in pencil.