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Black & White

There is a misconception about works of art composed in so called "black and white".  It seems to some that this lack of color is somehow less desirable.  Yet artists throughout history have used single colors to focus on composition or on gradations from light to dark.  Without the distraction of color, these creative building blocks become more prevalent.  In this section, we challenge the viewer to focus on "monochromatic" (single-colored) compositions.  Chances are that by the time you have looked at a few works, your mind will hone in on details you don't usually notice, and that you may even start to "see" colors that aren't actually there.
Henri HARPIGNIES - Sous Bois - etching - detail Sold
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Sous Bois

HARPIGNIES, Henri Joseph

Etching on chine-collé on wove paper.References:  Beraldi 5, BN-IFF 2-5.From a series titled Essais de gravure à l'eau-forte, published by Binois d...

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Thomas NASON - Sugaring - detail Sold
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Approach of Spring

NASON, Thomas

Etching and engraving on laid paper.Published by the Society of American Etchers. Signed and dated in pencil.

Félix BRACQUEMOND - Brumes du Matin - Etching, drypoint, and aquatint - 1882 -detail
$1,555

Brumes du Matin

BRACQUEMOND, Felix

Etching, drypoint, and aquatint on thin laid MBM paper. Reference: Beraldi 779 iv/v. From the series titled "Six eaux fortes", published in 1887. S...

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Eugène BLÉRY - Le Chêne en Eventail, Vallée de la Solle - The Fan-Shaped Oak - Etching - 1846 - detail
$500

The Fan-Shaped Oak

BLERY, Eugene

Le Chêne en Eventail, Vallée de la Solle (original French title)  Etching on chine-collé on thick wove paper. References: Beraldi supplement 37; no...

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