The Lady with the Swans
BUHOT, Felix
La Dame aux Cygnes (original French title) Drypoint, etching, aquatint and roulette on laid Arches paper. Reference: Bourcard & Goodfriend 44. ...
View full detailsLa Dame aux Cygnes (original French title) Drypoint, etching, aquatint and roulette on laid Arches paper. Reference: Bourcard & Goodfriend 44. ...
View full detailsWood engraving on chine-volant.State edition of 100, which seems unlikely given the rarity of this work. Signed, titled and annotated 'Ed. 100' in ...
View full detailsRamasseurs de Bouts de Cigares au Pont de Grenelle (original French title) Aquatint, soft-ground, and etching on laid paper.Reference: Morane 38. ...
View full detailsUne Matinée d’Hiver au Quai de l’Hôtel-Dieu (original French title) Etching, drypoint, and aquatint printed in black ink on thick wove paper, 1876...
View full detailsFerme Bretonne au Soleil (French title) Etching and aquatint on laid Ch Wittman paper, no date. Reference: Morane 63. Titled “[La Ferme dans le so...
View full detailsO Laborum, Dulce Lenimen (original Latin title) Etching and drypoint on laid Rives paper.Refs: Schneiderman 8; Harrington 94; Drake 84.Titled and s...
View full detailsEtching on wove paper.Reference: Windisch. Cole, and Herbaugh 667. Published by Associated American Artists (AAA), in an edition of 250. Signed in ...
View full detailsEtching on smooth wove paper (simili-japon or simili-parchment). With letters. Publisher unknown. Edition unknown, but scarce.Provenance: Sagot-Le ...
View full detailsPaysage (original French title) Etching and drypoint on Arches laid paper, before 1888. Reference: Duvivier 172.Edition unknown. One impression wa...
View full detailsEtching on Japan wove paper.Reference: Bruette 102, LOC 301. Narrow margins.
Etching on laid paper. References: Bruette/Roullier 154 i/ii, LOC 181. Signed in pencil. Cut to the platemark (very likely by the artist).
Etching on thick wove paper.Reference: Bliss 503 ii/ix.Before the etched borderline, before the plate was cut down, and before the composition was ...
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