
Title Unknown – Tree in the Temple Garden
BOSE, Arun
Color intaglio viscosity print on wove paper, no date. Edition of 75. Signed and numbered in pencil. The artist obtains effects that resemble velo...
View full detailsIt may be hard to fathom today, but once upon a time prints were monochromatic. When the first generation of Western printmakers challenged themselves to create etchings, lithographs, and woodcuts in color, their efforts were at first viewed with disdain by many. Japanese woodcuts, which had been printed in color for hundreds of years by then, showed artists the way. This revolution was particularly hard-fought for intaglio: etching, aquatint, drypoint, and assorted copper-plate techniques. Etching was regarded mostly as a “graphic” art, from the ancient Greek, γράφειν: to write. The expectation was that the graphic artist was to render his vision in line or grayscale only. Color was for painting. Yet many printmakers forged ahead, threw caution to the wind, pushed the envelope. This selection is an ode to those works of art: painterly etchings.
Color intaglio viscosity print on wove paper, no date. Edition of 75. Signed and numbered in pencil. The artist obtains effects that resemble velo...
View full detailsColor viscosity intaglio print on wove Arches paper.Artist’s proof. No stated edition has been identified, and the three other impressions found a...
View full detailsColor intaglio viscosity print, with mica ink, printed on wove paper.Edition of 120.Signed and numbered in pencil. The artist obtains effects that ...
View full detailsMm. Papillon (original French title) Cutout etching and aquatint printed in color on Arches wove paper.Edition of 100.Published by Georgetown Graph...
View full detailsColor aquatint on wove paper, 1982.Edition of 100.Published by Georgetown Graphics Inc for the Print Collectors Club, Washington DC.Signed and numb...
View full detailsLa Coulée (original French title) Color aquatint and etching on laid paper.Ref: not in BN-IFF.Edition of 50, but like all of this artist’s prints, ...
View full detailsLa Robe Bleue (original French titles) Color aquatint and etching on thick wove paper, 1909.Ref: BN-IFF 2-8; not in Addade.Stated edition of 200 (o...
View full detailsAfter Alphonse OSBERT (1857 – 1939)Etched by René LORRAIN (1873 – after 1939) Soir Antique (original French title) Color aquatint on thick Arches ...
View full detailsColor viscosity intaglio print on tan wove paper, 1957.Artist's proof. No edition as a such. But clearly used for another edition.Seemingly this ...
View full detailsEmbarcadère sur la Garonne, Bordeaux (original French title) Etching and aquatint printed in four colors on laid paper.Reference: Lotz-Brissonneau ...
View full detailsLe Jardin des Tuileries (original French title) Color aquatint printed on Arches laid paper.Reference: Merill-Chase 48.Edition of circa 100.Signed ...
View full detailsColor aquatint and drypoint printed on handmade French paper.Edition of 25. Scarce.Signed and numbered in pencil.Very fine impression in pristine ...
View full detailsBuse Prise au Piège (original French title) Aquatint and etching printed in color on wove paper.Edition unknown, but apparently not very large.Like...
View full details祈求 (original Chinese title?) Color intaglio on BFK Rives wove paper, circa 1970.Artist’s proof. Edition unknown, but apparently scarce.Signed “Lia...
View full detailsCut-out color aquatint and etching on BFK Rives wove paper.Reference: Spielmann 284.5.Edition of 100.Signed, titled, and numbered in pencil.
Cut-out color aquatint and etching on BFK Rives wove paper. Reference: Spielmann 282.2. Edition of 100. Signed, titled, and numbered in pencil.
Quatre Iles (original French title)Embossed color aquatint and linear scuffing on wove paper.Printed to the sheet edge, as usual.Trial proof, aside...
View full detailsCut-out color aquatint and etching on BFK Rives wove paper.Reference: Spielmann 284.4.Edition of 100.Signed, titled, and numbered in pencil.
Cut-out color aquatint and etching on BFK Rives wove paper, 1970. Reference: Spielmann 282.1. Edition of 100. Signed, titled, and numbered in pencil.
Etching and aquatint printed in color on wove paper.Edition of 135.Signed, titled and numbered in pencil.
Color etching and aquatint on simili-Japan paper. Edition unknown, but likely small. Signed and titled in pencil.
Color aquatint and etching on Arches wove paper.Artists proof. Edition unknown, but likely small, if any was printed at all. We have never seen a...
View full detailsLe Baptême à Tréboul (original French title) Color aquatint and etching on Arches wove paper.Edition unknown, but like most of the artist’s work s...
View full detailsZum Träumen (original German title) Color aquatint and etching on wove paper.Edition of 50.Signed, titled and numbered in pencil.
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