It may be hard to fathom today, but once upon a time prints were monochromatic. When the first generation of Western printmakers challenged themselves to create etchings, lithographs, and woodcuts in color, their efforts were at first viewed with disdain by many. Japanese woodcuts, which had been printed in color for hundreds of years by then, showed artists the way. This revolution was particularly hard-fought for intaglio: etching, aquatint, drypoint, and assorted copper-plate techniques. Etching was regarded mostly as a “graphic” art, from the ancient Greek, γράφειν: to write. The expectation was that the graphic artist was to render his vision in line or grayscale only. Color was for painting. Yet many printmakers forged ahead, threw caution to the wind, pushed the envelope. This selection is an ode to those works of art: painterly etchings.
En Bretagne, Eaux-Fortes et Lithographies par Maufra (original French title) Color etching & aquatint on wove paper, 1894.Refs: BN-IFF 11.2; Ca...
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Le Grand-Prix de Paris (original French title) Color etching, aquatint, and drypoint printed on simili-japon paper, 1906.Ref: Delteil 74.Edition of...
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La Vieille (original French titles) Color aquatint and soft-ground etching on thick wove paper.Ref: BN-IFF 4-5; not in Addade.Edition of 50, quite ...
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La Robe Bleue (original French titles) Color aquatint and etching on thick wove paper, 1909.Ref: BN-IFF 2-8; not in Addade.Stated edition of 200 (o...
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Embarcadère sur la Garonne, Bordeaux (original French title) Etching and aquatint printed in four colors on laid paper.Reference: Lotz-Brissonneau ...
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Color aquatint and drypoint printed on handmade French paper.Edition of 25. Scarce.Signed and numbered in pencil.Very fine impression in pristine ...
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Buse Prise au Piège (original French title) Aquatint and etching printed in color on wove paper.Edition unknown, but apparently not very large.Like...
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Cut-out color aquatint and etching on BFK Rives wove paper. Reference: Spielmann 282.2. Edition of 100. Signed, titled, and numbered in pencil.
Cut-out color aquatint and etching on BFK Rives wove paper, 1970. Reference: Spielmann 282.1. Edition of 100. Signed, titled, and numbered in pencil.
Le Baptême à Tréboul (original French title) Color aquatint and etching on Arches wove paper.Edition unknown, but like most of the artist’s work s...
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Lieu de Rencontre – St Maximin (original French title) Color etching and aquatint on BFK Rives wove paper.Edition of 50.Signed, titled, numbered an...
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Le Remouleur (original French title) Color etching, aquatint and drypoint printed on simili-japon paper.Ref: Delteil 76 II/III.One of 63 impression...
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Les Visites (original French title) Color aquatint and etching on wove paper.Ref: Bibliothèque Nationale – Inventaire du Fonds Français 2-6.State p...
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La Patineuse (original French title) Color aquatint and soft-ground etching printed in color on thick wove paper. References: neither in the BN-IFF...
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