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Painterly Prints

It may be hard to fathom today, but once upon a time prints were monochromatic. When the first generation of Western printmakers challenged themselves to create etchings, lithographs, and woodcuts in color, their efforts were at first viewed with disdain by many. Japanese woodcuts, which had been printed in color for hundreds of years by then, showed artists the way. This revolution was particularly hard-fought for intaglio: etching, aquatint, drypoint, and assorted copper-plate techniques. Etching was regarded mostly as a “graphic” art, from the ancient Greek, γράφειν: to write. The expectation was that the graphic artist was to render his vision in line or grayscale only. Color was for painting. Yet many printmakers forged ahead, threw caution to the wind, pushed the envelope. This selection is an ode to those works of art: painterly etchings.

Shiou Ping LIAO - Xiuping Liao - 廖修平 - Blessing - 祈求 - pray - color intaglio - detail
$500

Blessing

LIAO, Shiou Ping

祈求 (original Chinese title?) Color intaglio on BFK Rives wove paper, circa 1970.Artist’s proof.  Edition unknown, but apparently scarce.Signed “Lia...

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Terry Haass - Variations 2 - 1970 - Spielmann 282.2 - pink and blue split circle geometric
$175

Variations 2

HAASS, Terry

Cut-out color aquatint and etching on BFK Rives wove paper. Reference: Spielmann 282.2. Edition of 100. Signed, titled, and numbered in pencil.

Terry Haass - Variations 1 - 1970 - Spielmann 282.1 - green geometric circle, aquatint etching
$175

Variations 1

HAASS, Terry

Cut-out color aquatint and etching on BFK Rives wove paper, 1970. Reference: Spielmann 282.1. Edition of 100. Signed, titled, and numbered in pencil.

Masao Yoshida - Abstraction in Brown - title unknown - Paris - Atelier 17 - 1963 - color aquatint - detail
$600

Abstraction in Brown

YOSHIDA, Masao

Color aquatint and soft ground etching on Arches wove paper, 1963.This is likely printed using the Atelier 17 method of simultaneous color printing...

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Gil Cowley - Gilbert Henry Cowley - Behind the Pines - color intaglio etching aquatint - color viscosity - Stanley William Hayter - Atelier 17  - detail
$350

Behind the Pines

COWLEY, Gil

This work is on hold for a client. Please email to check availability. Color intaglio and viscosity print on wove paper, February 1964.Edition of 1...

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Space Object
$175

Space Object

CIESLARCZYK, Adolphe

Color aquatint printed on wove paper. Edition of 40. Published by Jacqueline de Champvallins, Paris. Signed and numbered "4/40" in pencil. TO SEE M...

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