Untitled - abstract red wave
ZANARTU, Enrique
Color aquatint and drypoint printed on handmade French paper.Edition of 25. Scarce.Signed and numbered in pencil.Very fine impression in pristine ...
View full detailsIt may be hard to fathom today, but once upon a time prints were monochromatic. When the first generation of Western printmakers challenged themselves to create etchings, lithographs, and woodcuts in color, their efforts were at first viewed with disdain by many. Japanese woodcuts, which had been printed in color for hundreds of years by then, showed artists the way. This revolution was particularly hard-fought for intaglio: etching, aquatint, drypoint, and assorted copper-plate techniques. Etching was regarded mostly as a “graphic” art, from the ancient Greek, γράφειν: to write. The expectation was that the graphic artist was to render his vision in line or grayscale only. Color was for painting. Yet many printmakers forged ahead, threw caution to the wind, pushed the envelope. This selection is an ode to those works of art: painterly etchings.
Color aquatint and drypoint printed on handmade French paper.Edition of 25. Scarce.Signed and numbered in pencil.Very fine impression in pristine ...
View full details祈求 (original Chinese title?) Color intaglio on BFK Rives wove paper, circa 1970.Artist’s proof. Edition unknown, but apparently scarce.Signed “Lia...
View full detailsCut-out color aquatint and etching on BFK Rives wove paper. Reference: Spielmann 282.2. Edition of 100. Signed, titled, and numbered in pencil.
Cut-out color aquatint and etching on BFK Rives wove paper, 1970. Reference: Spielmann 282.1. Edition of 100. Signed, titled, and numbered in pencil.
Color aquatint and soft ground etching on Arches wove paper, 1963.This is likely printed using the Atelier 17 method of simultaneous color printing...
View full detailsThis work is on hold for a client. Please email to check availability. Color intaglio and viscosity print on wove paper, February 1964.Edition of 1...
View full detailsLieu de Rencontre – St Maximin (original French title) Color etching and aquatint on BFK Rives wove paper.Edition of 50.Signed, titled, numbered an...
View full detailsColor aquatint printed on wove paper. Edition of 40. Published by Jacqueline de Champvallins, Paris. Signed and numbered "4/40" in pencil. TO SEE M...
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