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Painterly Prints

It may be hard to fathom today, but once upon a time prints were monochromatic. When the first generation of Western printmakers challenged themselves to create etchings, lithographs, and woodcuts in color, their efforts were at first viewed with disdain by many. Japanese woodcuts, which had been printed in color for hundreds of years by then, showed artists the way. This revolution was particularly hard-fought for intaglio: etching, aquatint, drypoint, and assorted copper-plate techniques. Etching was regarded mostly as a “graphic” art, from the ancient Greek, γράφειν: to write. The expectation was that the graphic artist was to render his vision in line or grayscale only. Color was for painting. Yet many printmakers forged ahead, threw caution to the wind, pushed the envelope. This selection is an ode to those works of art: painterly etchings.

David Smith-Harrison - Royal Palm with Turkish Design - etching
$900

Royal Palm with Turkish Design

SMITH-HARRISON, David

Etching and aquatint printed in color on wove paper.Edition of 135.Signed, titled and numbered in pencil.

Jean-Francois Raffaelli - Le Remouleur - detail - original color etching
$800

The Knive-Grinder

RAFFAELLI, Jean-Francois

Le Remouleur (original French title) Color etching, aquatint and drypoint printed on simili-japon paper.Ref: Delteil 76 II/III.One of 63 impression...

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The Windmill
$750

The Windmill

ROUX-CHAMPION, Victor-Joseph

Le Moulin (descriptive French title) Color aquatint and etching on laid Arches paper.Edition unknown, certainly small, if any.  We have never encou...

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