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Painterly Prints

It may be hard to fathom today, but once upon a time prints were monochromatic. When the first generation of Western printmakers challenged themselves to create etchings, lithographs, and woodcuts in color, their efforts were at first viewed with disdain by many. Japanese woodcuts, which had been printed in color for hundreds of years by then, showed artists the way. This revolution was particularly hard-fought for intaglio: etching, aquatint, drypoint, and assorted copper-plate techniques. Etching was regarded mostly as a “graphic” art, from the ancient Greek, γράφειν: to write. The expectation was that the graphic artist was to render his vision in line or grayscale only. Color was for painting. Yet many printmakers forged ahead, threw caution to the wind, pushed the envelope. This selection is an ode to those works of art: painterly etchings.

Jean-Francois Raffaelli - Le Grand Prix de Paris - detail
$1,400

The Paris Grand Prix

RAFFAELLI, Jean-Francois

Le Grand-Prix de Paris (original French title) Color etching, aquatint, and drypoint printed on simili-japon paper, 1906.Ref: Delteil 74.Edition of...

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Shiou Ping LIAO - Xiuping Liao - 廖修平 - Blessing - 祈求 - pray - color intaglio - detail
$500

Blessing

LIAO, Shiou Ping

祈求 (original Chinese title?) Color intaglio on BFK Rives wove paper, circa 1970.Artist’s proof.  Edition unknown, but apparently scarce.Signed “Lia...

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