$325
Self-Portrait: Morning
CAMPBELL, Paula
Color intaglio inked à la poupée. Edition of 15.Signed, titled, and numbered, and annotated in pencil.
Filters
color
- beige
- black
- blue
- bright
- brown
- green
- inky
- muted
- olive green
- orange
- orchre
- pink
- red
- subtle
- teal
- See more
era
exhibition
format
location
nationality
printer
publisher
scale
scape
- abstract
- animal
- animated
- bird's eye view
- cafe restaurant
- cityscape
- countryside
- desolate
- field
- figure
- floral arrangement
- garden
- interior
- invention
- landscape
- portrait
- river
- seascape
- still life
- street
- town
- waterscape
- See more
style
- abstract
- abstracting
- art deco
- art nouveau
- belle epoque
- etching revival
- impressionism
- mid century
- modernism
- painterly
- pont aven
- post impressionism
- realism
- topographic
- See more
subject
- alcolhol
- animal
- baby
- bird
- birds
- boat
- buildings
- cafe bar
- celebration
- charity
- child
- city life
- couple
- crowd
- dog
- downtrodden
- dress skirt
- drink
- dusk
- face
- farmer
- fashion
- field
- figure
- forest
- grass
- hat
- house
- interior
- intimacy
- labor
- leaf
- leisure
- man
- marriage
- memento mori
- modern woman
- moonlight
- night life
- old people
- out about
- Paris
- pattern
- people
- plant
- play
- portrait
- religion
- river
- rocks
- seated
- sky
- social commentary
- street
- text
- transportation
- tree
- village
- walking
- windmill
- woman
- zen garden
- See more
technique
- aquatint
- color aquatint
- color etching
- color intaglio
- color viscosity
- drypoint
- etching
- intaglio
- roulette
- soft ground etching
- See more
weather
year
Painterly Prints
It may be hard to fathom today, but once upon a time prints were monochromatic. When the first generation of Western printmakers challenged themselves to create etchings, lithographs, and woodcuts in color, their efforts were at first viewed with disdain by many. Japanese woodcuts, which had been printed in color for hundreds of years by then, showed artists the way. This revolution was particularly hard-fought for intaglio: etching, aquatint, drypoint, and assorted copper-plate techniques. Etching was regarded mostly as a “graphic” art, from the ancient Greek, γράφειν: to write. The expectation was that the graphic artist was to render his vision in line or grayscale only. Color was for painting. Yet many printmakers forged ahead, threw caution to the wind, pushed the envelope. This selection is an ode to those works of art: painterly etchings.
$220
Variations 2
HAASS, Terry
Cut-out color aquatint and etching on BFK Rives wove paper. Reference: Spielmann 282.2. Edition of 100. Signed, titled, and numbered in pencil.
$900
Royal Palm with Turkish Design
SMITH-HARRISON, David
Etching and aquatint printed in color on wove paper.Edition of 135.Signed, titled and numbered in pencil.
$350
Behind the Pines
COWLEY, Gil
This work is on hold for a client. Please email to check availability. Color intaglio and viscosity print on wove paper, February 1964.Edition of 1...
View full details