Birds of Prey
PROUVE, Victor
Oiseaux de Proie (original French title) Aquatint and etching printed on tan wove paper.Etching and aquatint printed in olive-green on Arches laid ...
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Oiseaux de Proie (original French title) Aquatint and etching printed on tan wove paper.Etching and aquatint printed in olive-green on Arches laid ...
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Color aquatint on Arches wove paper.Reference: Ginestet & Pouillon 663.Edition of 200.In the late 1920's Villon etched a number of prints after...
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Each print titled and signed in pencil at the lower margins.Largest size given below, smaller print size is 5 x 5 inches.
Each print titled and signed in pencil at the lower margins.In Duneland printed in green ink.Largest size given below, smaller print size is 4 7/8 ...
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A pair of lithographs on the same subject. Ref: BnF IFF 261.The color variant on smooth wove paper.The black and white with added conté crayon vari...
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Color woodcut on japan paper. From the edition of 20.Titled, signed, numbered and dated.
Linocut on white wove paper. Edition of 20. Signed, titled and numbered “19/20” in pencil.
Zilverplevieren (original Dutch title) Color woodcut reduction. Edition of 25. Signed and numbered in pencil.
Woodcut printed from two blocks on wove paper. Artist’s proof, no known edition. Seemingly scarce, as is most of the artist’s work. The tangle of m...
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Lithograph on Rives wove paper. No stated edition, and scarce. It isn’t clear that any editions were ever printed for any of the artist’s few litho...
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Color carborundum and/or collagraph on thick wove paper. Trial proof. There was seemingly no edition of this print. We can find neither another imp...
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Lithograph printed in two colors, profusely hand colored with wax pencils on wove paper. Artist’s proof. It seems unlikely that an edition was ever...
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Lithograph printed in two colors on wove paper. Artist’s proof. It seems unlikely that an edition was ever printed of this work. The artist drafted...
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Wood engraving on thin wove Japan paper.Printed as a New Year’s greetings card for Bertram and Ethel Reibel. The portfolio is included.Signed in pe...
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Aquatint and drypoint in black ink on thick wove paper.Reference: Tabanelli 311. Artist’s proof, aside from an edition of 50 according to Tabanelli...
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Lithograph on wove paper. Edition of 12.Agnes Tait's output wasn’t large and most of her editions were small. This is an extremely scarce lithograp...
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Wood engraving on very thin Japan wove paper, no date. No stated edition. Seemingly scarce. An atmospheric impression, with the figure speaking his...
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Aquatint, collagraph, and etching printed in two colors on simili-Japan paper. One of seven impressions in the 10th state, before the edition of 50...
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Engraving on laid Monval verdâtre (light greenish-blue) paper. Reference: Tonneau-Ryckelynck & Plumart 185. Plate 6 from the series "Animaux".P...
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Etching on laid paper. Ref: Béraldi 223 iii/iv. Third state of four, before some darker clouds were added in the sky and some touch ups throughout ...
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Etching and aquatint printed in color on thin laid japan paper, c. 1924.Very likely a unique impression as such. Another impression, printed in bro...
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Etching and aquatint printed in color on thin laid japan paper, c. 1924.Very likely a unique impression as such, annotated “Trial proof” in pencil....
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Color etching and aquatint on laid Arches paper. Published by Charles Hessèle, with his monogram stamp of (Lugt 554).Edition of 50. Signed and numb...
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Le Potin (original French title) Aquatint and drypoint on wove paper. Reference: Ginestet et Pouillon 96. Undescribed state proof, between the firs...
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