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Tree Manhattan
LEWIS, Martin
Drypoint on laid paper. Reference: McCarron 87. Total edition of 91, including 10 trial proofs.Signed in pencil.
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Drypoint on laid paper. Reference: McCarron 87. Total edition of 91, including 10 trial proofs.Signed in pencil.
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Lithograph on wove paper. References: Cole 34; Windisch, Cole Jr. & Herbaugh 389.Edition of 250. Published by Associated American Artists (AAA)...
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Pencil with pale-blue touches on board. Provenance: collection Mrs. Ernest Haskell, Jr; exhibited at Crocker Art Gallery in 1976 retrospective, Sac...
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Very fine pen and black ink drawing on wove paper, no date.This drawing was created for reproduction, but its purpose is as of yet not identified. ...
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Lithograph on wove paper. Edition of 50.The artist apparently made another version of a Parisian window view with the same title. Both are surprisi...
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Etching and engraving on chine-collé on wove paper.Reference: Pousette-Dart 13. Memorial plate to the artist's first wife, Elizabeth Louise. Scatte...
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Etching on antique laid paper.Reference: Fletcher 241. From the French Church Series, plate 31.Signed and editioned in pencil. With a red collector...
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Etching on laid paper.Reference: Fletcher 195. From the French Church Series, plate 15.Printed in 1927 by Frederick Reynolds.Signed and dated in pe...
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Gouache and pastel on paper, mounted to second sheet. Signed and dated in ink.
Graphite on wove paper. Signed in pencil.Inscribed with the location.
Etching on "papier verdâtre" (pale green) laid paper. Reference: Fletcher 384 iii/iii. Signed and dated in pencil. A miracle of miniature printmak...
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Cut-out intaglio (engraving, other tools, aquatint) from multiple plates printed in two colors on wove paper. Artist’s proof. Edition unknown.Sign...
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Simultaneous color printing intaglio (a.k.a. viscosity print) on Arches wove paper. Edition of 100. While Swift only studied at Atelier 17 in Paris...
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Lithograph on wove paper, 1944. Edition of 50.The artist apparently made another version of such a Roman ruin in a Southwestern landscape.Signed, d...
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Lithograph on Rives wove paper. Edition of 40. The artist apparently made another version of such a Roman ruin in a Southwestern landscape. Signed,...
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Color viscosity intaglio on Arches wove paper.Stated edition of 10, but according to the artist likely not printed in full.Printed while the artist...
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Lithograph on BFK Rives wove paper. Reference: Bryce 2. Intended edition of 35. Printed by George C. Miller, New York.The intended edition was thir...
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Color woodcut printed on laid japan paper. Ref: Williams 10. Edition of 100 or 150; yet uncommon today.Signed in ink in the image. Titled in pencil...
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Etching on laid paper.Presumed edition of 50.Initialed and dated in the plate, and signed in pencil. We add the preparatory drawing: Ink on wove sk...
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Etching on thin wove japan paper.Edition of 50.This is thought to be the artist's first etching.Signed, titled, numbered and dated in pencil. Prove...
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Ink and graphite on wove sketchbook paper. The sheet folded twice vertically, likely to fit in a breast pocket. Torn top left sheet corner. Overall...
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Color woodcut on thin wove japan paper.Signed and titled in pencil.Provenance: Estate of William Greenbaum, Gloucester, Massachusetts, a true gentl...
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Color woodcut on thin wove japan paper.Signed and titled in pencil.Provenance: Estate of William Greenbaum, Gloucester, Massachusetts, a true gentl...
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Color woodcut on thin wove japan paper.Signed and titled in pencil.Provenance: Estate of William Greenbaum, Gloucester, Massachusetts, a true gentl...
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