Shore Leave
BRUSSEL-SMITH, Bernard
Wood engraving on white wove paper.Edition of 50.Signed, titled and numbered in pencil.
Wood engraving on white wove paper.Edition of 50.Signed, titled and numbered in pencil.
Wood engraving on white wove paper.Edition of 50.Signed, titled and numbered in pencil.
Lithograph on wove paper.Reference: Cole 10.Edition of 250, published by Associated American Artists (A.A.A.)Signed in pencil. This is a rare fine...
View full detailsLithograph on wove paper, 1944.Reference: Rose & Quiroz 68.Edition of 30. Signed, dated, and titled in pencil.Very fine impression in pristine ...
View full detailsWood engraving on smooth wove paper.Presentation print no. 26 print from The Woodcut Society, Alexandria, VA.Complete, with the original presentati...
View full detailsScreenprint, or silkscreen on reused advertisement board. This proof is printed on the blank back of an advertisement poster, cut in half by the ar...
View full detailsWoodcut on thin laid paper, 1943-44. Trial proof, aside from an edition of 27. It’s rush hour and a sea of people is holding on for dear life as th...
View full detailsMonotype on thin Japan wove paper, 1942.Signed, titled and dated in pencil. Small margins. A small paper loss in the upper left sheet corner.
Lithograph on GCM (Rives) wove paper. Reference: Flint 191. Edition of 20. Signed in pencil.
Lithograph on wove paper. Reference: Flint 217. Edition of 15. Signed in pencil.
Etching on wove paper.Reference: Windisch. Cole, and Herbaugh 667. Published by Associated American Artists (AAA), in an edition of 250. Signed in ...
View full detailsLithograph on Rives wove paper, no date. Edition unknown, but likely small if any. Scarce.Signed in pencil.
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