Quietude
NEGRI, Rocco
Color woodcut on thin laid paper.Artist’s proof. Edition unknown. Signed, titled, and annotated in pencil.
Color woodcut on thin laid paper.Artist’s proof. Edition unknown. Signed, titled, and annotated in pencil.
Lithograph on wove paperReference: Rose & Quiroz 78. Edition of 25. Signed, dated, and titled in pencil. Very fine impression in pristine condi...
View full detailsColor woodcut printed on Japan paper. Artist’s proof, (aside?) from the edition.Signed, titled, dated, and annotated “207/210 a/p” in pencil.
Color woodcut or woodblock print on Japan laid paper, no date. There seems to be no stated edition for this print. Likely from a small group of col...
View full detailsWoodcut on thin laid paper, 1943-44. Trial proof, aside from an edition of 27. It’s rush hour and a sea of people is holding on for dear life as th...
View full detailsIntaglio, most definitely aquatint mixed with other techniques, printed with embossing in simultaneous color printing (using various viscosities of...
View full detailsLithograph on thin wove paper, 1921. Reference: Mason 79.Printed by Bolton Brown, as is seemingly the case of the whole edition.Edition of 45, scar...
View full detailsLithograph on wove paper, 1945.No stated edition, and scarce. It isn’t clear that any editions were ever printed of any of the artist’s few lithogr...
View full detailsEtching on laid paper, circa 1930.Edition unknown, but likely small, like most of Ripley’s prints.Signed and titled in pencil.
Etching on wove paper, no date.Edition of 95.Signed and numbered in pencil.
Monotype on thin Japan wove paper, 1942.Signed, titled and dated in pencil. Small margins. A small paper loss in the upper left sheet corner.
Color woodcut printed on thin laid Japanese paper, 1930.Edition of 100.Signed, titled, and numbered in pencil.
Mezzotint on wove paper.Edition was to be of 35 but was likely not completed. Rare.The current work was the artist's last published mezzotint.Signe...
View full detailsWoodcut on thin Japan wove paper. Stated edition of 45, but very unlikely to have been printed in full. The artist would have been just 18 years ol...
View full detailsEtching, printed on laid paper. Reference: Fletcher 248. From the French Church Series, plate 34. Signed and dated, and annotated “II” in pencil.
Lithograph on GCM (Rives) wove paper. Reference: Flint 191. Edition of 20. Signed in pencil.
Lithograph on wove paper. Reference: Flint 217. Edition of 15. Signed in pencil.
Etching on wove paper.Reference: Windisch. Cole, and Herbaugh 667. Published by Associated American Artists (AAA), in an edition of 250. Signed in ...
View full detailsLithograph on Rives wove paper, no date. Edition unknown, but likely small if any. Scarce.Signed in pencil.
Lithograph on wove paper. Edition of 90.Signed, titled, and numbered in pencil.
Also know as a Spanish Town Revisited Etching on wove paper. Reference: Fletcher 142. From the Spanish Church Series, plate 2. Edition of 150 Signe...
View full detailsLithograph on wove paper, 1940. Reference: Rose &Quiroz 58. Edition of 35. Prentiss Taylor was an active member of the multidisciplinary art mo...
View full detailsLithograph on wove paper. Reference: Stuckey 190. Edition of 40. This subject was drawn in Ogunquit, Maine. Signed and annotated in pencil.
Lithograph on wove paper. Reference: Stuckey 196. Edition of 65. This subject was drawn in Ogunquit, Maine.Signed and annotated in pencil.
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