The Masquerade
SWIFT, Dick
Simultaneous color printing intaglio (a.k.a. viscosity print) on Arches wove paper. Edition of 100. While Swift only studied at Atelier 17 in Paris...
View full detailsSimultaneous color printing intaglio (a.k.a. viscosity print) on Arches wove paper. Edition of 100. While Swift only studied at Atelier 17 in Paris...
View full detailsPencil with pale-blue touches on board. Provenance: collection Mrs. Ernest Haskell, Jr; exhibited at Crocker Art Gallery in 1976 retrospective, Sac...
View full detailsDrypoint on laid paper. Reference: McCarron 87. Total edition of 91, including 10 trial proofs.Signed in pencil.
Hélène of Septeuil or Enfant au Perroquet Drypoint on laid Van Gelder paper, c. 1890. Reference: Breeskin 134. Very likely a fourth state of five, ...
View full detailsWood engraving on thin laid paper. Edition unknown, but likely one of a handful of impressions only. Our colleagues and friends at The Annex Galler...
View full detailsLithograph on wove paper. Edition of 90.Signed, titled, and numbered in pencil.
Etching on wove paper.Reference: Windisch. Cole, and Herbaugh 667. Published by Associated American Artists (AAA), in an edition of 250. Signed in ...
View full detailsLithograph on wove paper. Reference: Flint 217. Edition of 15. Signed in pencil.
Lithograph on GCM (Rives) wove paper. Reference: Flint 191. Edition of 20. Signed in pencil.
Woodcut on thin Japan wove paper. Stated edition of 45, but very unlikely to have been printed in full. The artist would have been just 18 years ol...
View full detailsMezzotint on wove paper.Edition was to be of 35 but was likely not completed. Rare.The current work was the artist's last published mezzotint.Signe...
View full detailsLithograph on wove paper, 1945.No stated edition, and scarce. It isn’t clear that any editions were ever printed of any of the artist’s few lithogr...
View full detailsIntaglio, most definitely aquatint mixed with other techniques, printed with embossing in simultaneous color printing (using various viscosities of...
View full detailsColor woodcut on very thin wove Japan paper. Ref: Mason & Mason 59.This composition is used as the back cover illustration for the Masons' book...
View full detailsAquatint and etching on wove paper. Edition of 100. Signed in pencil.
Wood engraving on tissue-thin paper.This is a proof impression by the artist, possibly one used for reproduction one of the illustrated books, or g...
View full detailsEtching on cream-colored wove paper.Reference: Mary Ryan 59.Edition of circa 50.Signed in pencil
Mezzotint printed in black ink on laid paper.Edition of 250. Rather scarce today.Published by Associated American Artists, New York.Signed and tit...
View full detailsLithograph on Basingwerk Parchment paper.Edition unknown, but certainly not large.Signed and titled in pencil.
Lithograph on Basingwerk Parchment paper.Edition unknown, but certainly not large.Signed and titled in pencil.
Lithograph printed in black ink on wove paper.Reference: Fath 80.Edition of 300, but rather scarce today.Published by Associated American Artists,...
View full detailsLinocut on thin Japan wove paper.From a small edition of less than 20. Titled and signed “L. Hall” in pencil. Very fine impression excellent condit...
View full detailsLithograph on Rives wove paper. Reference: Rose & Quiroz 27. Edition of 20. Titled, editioned, signed and dated “April 1933” in pencil. Very fi...
View full detailsLithograph on cream wove paper printed in sepia ink. Reference: Quiroz 31. Edition of 20. Titled, numbered, signed and dated in pencil. Very fine i...
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