Lincoln Park Marabous, Chicago
SHARP, William
Aquatint and etching on thick tan wove paper.Signed in pencil. Provenance: Estate of William Greenbaum, Gloucester, Massachusetts, a true gentleman...
View full detailsAquatint and etching on thick tan wove paper.Signed in pencil. Provenance: Estate of William Greenbaum, Gloucester, Massachusetts, a true gentleman...
View full detailsColor woodcut on thin wove japan paper.Signed and titled in pencil.Provenance: Estate of William Greenbaum, Gloucester, Massachusetts, a true gentl...
View full detailsColor woodcut on thin wove japan paper.Signed and titled in pencil.Provenance: Estate of William Greenbaum, Gloucester, Massachusetts, a true gentl...
View full detailsColor woodcut on thin wove japan paper.Signed and titled in pencil.Provenance: Estate of William Greenbaum, Gloucester, Massachusetts, a true gentl...
View full detailsInk and graphite on wove sketchbook paper. The sheet folded twice vertically, likely to fit in a breast pocket. Torn top left sheet corner. Overall...
View full detailsEtching on thin wove japan paper.Edition of 50.This is thought to be the artist's first etching.Signed, titled, numbered and dated in pencil. Prove...
View full detailsEtching on laid paper.Presumed edition of 50.Initialed and dated in the plate, and signed in pencil. We add the preparatory drawing: Ink on wove sk...
View full detailsColor woodcut printed on laid japan paper. Ref: Williams 10. Edition of 100 or 150; yet uncommon today.Signed in ink in the image. Titled in pencil...
View full detailsLithograph on BFK Rives wove paper. Reference: Bryce 2. Intended edition of 35. Printed by George C. Miller, New York.The intended edition was thir...
View full detailsLithograph on Rives wove paper. Edition of 40. The artist apparently made another version of such a Roman ruin in a Southwestern landscape. Signed,...
View full detailsLithograph on wove paper, 1944. Edition of 50.The artist apparently made another version of such a Roman ruin in a Southwestern landscape.Signed, d...
View full detailsCut-out intaglio (engraving, other tools, aquatint) from multiple plates printed in two colors on wove paper. Artist’s proof. Edition unknown.Sign...
View full detailsEtching on "papier verdâtre" (pale green) laid paper. Reference: Fletcher 384 iii/iii. Signed and dated in pencil. A miracle of miniature printmak...
View full detailsGraphite on wove paper. Signed in pencil.Inscribed with the location.
Etching and engraving on chine-collé on wove paper.Reference: Pousette-Dart 13. Memorial plate to the artist's first wife, Elizabeth Louise. Scatte...
View full detailsLithograph on wove paper. Edition of 50.The artist apparently made another version of a Parisian window view with the same title. Both are surprisi...
View full detailsVery fine pen and black ink drawing on wove paper, no date.This drawing was created for reproduction, but its purpose is as of yet not identified. ...
View full detailsPencil with pale-blue touches on board. Provenance: collection Mrs. Ernest Haskell, Jr; exhibited at Crocker Art Gallery in 1976 retrospective, Sac...
View full detailsDrypoint on laid paper. Reference: McCarron 87. Total edition of 91, including 10 trial proofs.Signed in pencil.
Drypoint on wove paper with two flower watermarks (papermaker unidentified).Reference: McCarron 76. Edition of 84. Lewis uses the dramatic nighttim...
View full detailsHélène of Septeuil or Enfant au Perroquet Drypoint on laid Van Gelder paper, c. 1890. Reference: Breeskin 134. Very likely a fourth state of five, ...
View full detailsDrypoint on wove paper.Reference: McCarron 62. Second state of two, after crosshatching and contrasting elements were added throughout the plate. T...
View full detailsWood engraving on thin laid paper. Edition unknown, but likely one of a handful of impressions only. Our colleagues and friends at The Annex Galler...
View full detailsLithograph on wove paper. Reference: Stuckey 194. Edition of 50. This subject was drawn in Ogunquit, Maine. Signed and annotated in pencil.
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