Day and Night
MASTRO-VALERIO, Alessandro
Mezzotint on wove paper.Edition was to be of 35 but was likely not completed. Rare.The current work was the artist's last published mezzotint.Signe...
View full detailsMezzotint on wove paper.Edition was to be of 35 but was likely not completed. Rare.The current work was the artist's last published mezzotint.Signe...
View full detailsEtching on laid paper, circa 1930.Edition unknown, but likely small, like most of Ripley’s prints.Signed and titled in pencil.
Lithograph on wove paper, 1945.No stated edition, and scarce. It isn’t clear that any editions were ever printed of any of the artist’s few lithogr...
View full detailsWoodcut on thin laid paper, 1943-44. Trial proof, aside from an edition of 27. It’s rush hour and a sea of people is holding on for dear life as th...
View full detailsLithograph on Montval laid paper, 1929.Edition 250. Printed by Adolphe Braun & Co, Paris.Signed in pencil. This composition has a particularly ...
View full detailsEtching on wove paper. Edition of 60. Part of a set of prints commissioned by the Sheffield Steel Corporation in 1937. Signed, numbered, and titl...
View full detailsSilver-gelatin print, no date. Edition unknown. From a series of images titled Industrial Landscapes - Cleveland by the artist A very fine impr...
View full detailsAquatint and etching on wove paper. Edition of 100. Signed in pencil.
Pen and ink and black crayon on J Whatman wove paper. Unique. This drawing was reproduced in Miranda and the Cat, a children’s book written by Lin...
View full detailsLithograph on wove paper, no date. Edition unknown, but if there was any, it certainly was small. The format suggests it could have been intended...
View full detailsWood engraving.Woodcut Society Publications.Signed in pencil.
Lithograph printed on wove paper, no date.Edition of 50.Signed, titled, and annotated in pencil.Bearing the estate stamp on the verso.
Engraving on wove paper.Reference: Kraeft 106. Edition of 100. Signed, dated, and editioned in pencil. Bearing an unidentified monogram stamp, MMMK...
View full detailsLynd WARD (1905-1985) Undercliff Wood engraving on thin white wove paper, 1948. Edition of 200, published by The Woodcut Society, New York. In orig...
View full detailsReference: Kraeft 79.Edition of 100.Signed and annotated 'For Esta Nichols' in pencil. Very fine impression in near perfect condition, aside from s...
View full detailsWood engraving on tissue-thin paper.This is a proof impression by the artist, possibly one used for reproduction one of the illustrated books, or g...
View full detailsWood engraving on tissue-thin paper.This is a proof impression by the artist, possibly one used for reproduction one of the illustrated books, or g...
View full detailsIntaglio printed in black ink on wove paper, 1963.Stated edition of 25.Signed, titled, dated “12/63”, numbered and annotated “Paris” in pencil. May...
View full detailsEtching on cream-colored wove paper.Reference: Mary Ryan 59.Edition of circa 50.Signed in pencil
Mezzotint printed in black ink on laid paper.Edition of 250. Rather scarce today.Published by Associated American Artists, New York.Signed and tit...
View full detailsWood engraving on cream laid japon volant paper.Edition of 50.Signed and titled in pencil. Very think scattered foxing; barely noticeable.
Lithograph on Basingwerk Parchment paper.Edition unknown, but certainly not large.Signed and titled in pencil.
Lithograph on Basingwerk Parchment paper.Edition unknown, but certainly not large.Signed and titled in pencil.
Lithograph on BFK Rives wove paper.Edition of 200.Published by the now defunct Topaz Editions, Tampa, Florida, in 1891.Bearing two blindstamps in t...
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