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KLOSS, Gene
Aquatint, etching, and drypoint on Arches wove paper.Reference: Sanchez 517.Edition of 50.Compared to another version of this print, titled “Riders...
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Aquatint, etching, and drypoint on Arches wove paper.Reference: Sanchez 517.Edition of 50.Compared to another version of this print, titled “Riders...
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Etching on antique laid paper.Reference: Fletcher 241. From the French Church Series, plate 31.Signed and editioned in pencil. With a red collector...
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Color woodcut on thick off-white laid paper.References: This work is not listed in Bakker's 1989 and 1990 retrospective catalogs on the artist.Edit...
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Lithograph on cream wove paper printed in sepia ink. Reference: Quiroz 31. Edition of 20. Titled, numbered, signed and dated in pencil. Very fine i...
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Lithograph on wove paper. Reference: Stuckey 196. Edition of 65. This subject was drawn in Ogunquit, Maine.Signed and annotated in pencil.
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Lithograph on white wove paper, 1936.Exact edition unknown, but less than 200.Published by American Artists Group, New York, with their logo printe...
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Color woodcut on very thin wove Japan paper. Ref: Mason & Mason 59.This composition is used as the back cover illustration for the Masons' book...
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Woodcut on thin Japan, mounted by four corners onto wove paper. Edition of 50. Signed, titled and numbered in pencil.
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Le Beguin – Anais (original French title) Etching on laid Van Gelder Zonen paper.Reference: Fletcher 33.Second state of four, before the plate was ...
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Mezzotint printed in black ink on tan Japan laid paper, 1957.Edition of 100, some impressions numbered, others not. This print has become very sca...
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Lithograph printed on wove paper, no date.Edition of 50.Signed, titled, and annotated in pencil.Bearing the estate stamp on the verso.
Lithograph on wove paper. Edition of 12.Agnes Tait's output wasn’t large and most of her editions were small. This is an extremely scarce lithograp...
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Lithograph on wove paper. Edition of 50.The artist apparently made another version of a Parisian window view with the same title. Both are surprisi...
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Lithograph on wove paper, no date. Edition unknown, but if there was any, it certainly was small. The format suggests it could have been intended...
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Woodcut on China paper. Published by the Woodcut Society (Kansas City), 1950. Edition of 200. Signed and titled in pencil. Image: 11 x 8 ⅜ inches. ...
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Werner DREWES (German-American, 1899-1985) The Green Moon Color woodcut on Japanese paper.Reference: Rose 308.Edition of 30.Signed, numbered and da...
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Lithograph on wove paper. Reference: McIntyre and Kielsmeier p. 21. Edition of 30. Signed and numbered in pencil; with artist’s name dry stamped in...
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Lithograph on Basingwerk Parchment paper.Edition unknown, but certainly not large.Signed and titled in pencil.
Lithograph on wove paper. Reference: Barker 123. Edition of 31.Signed in pencil.
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Etching on laid paper.Presumed edition of 50.Initialed and dated in the plate, and signed in pencil. We add the preparatory drawing: Ink on wove sk...
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Simultaneous color printing intaglio (a.k.a. viscosity print) on Arches wove paper. Edition of 100. While Swift only studied at Atelier 17 in Paris...
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Woodcut printed in black ink on thin laid Japanese paper, 1934 or 1935. From a series of 10 woodcuts titled A History of Illinois in Woodcuts. Edit...
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Etching and aquatint in red ink on wove paper.Pencil signed, titled and inscribed A/P.Sheet size: 15 x 19 inches.
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