Saint Catherine's Belfry, Honfleur
ARMS, John Taylor
Etching, printed on laid paper. Reference: Fletcher 248. From the French Church Series, plate 34. Signed and dated, and annotated “II” in pencil.
Etching, printed on laid paper. Reference: Fletcher 248. From the French Church Series, plate 34. Signed and dated, and annotated “II” in pencil.
Screenprint, or silkscreen on reused advertisement board. This proof is printed on the blank back of an advertisement poster, cut in half by the ar...
View full detailsIntaglio (etching, maybe also engraving and drypoint) on thin wove paper.Edition unknown, probably not very large.Signed in pencil, and titled in t...
View full detailsLithograph on wove paper. Reference: Stuckey 190. Edition of 40. This subject was drawn in Ogunquit, Maine. Signed and annotated in pencil.
Wood engraving on white wove paper. Edition of 100. Signed, titled and numbered in pencil.
Wood engraving on white wove paper.Edition of 50.Signed, titled and numbered in pencil.
Lithograph on wove paper.Edition of 186, as published by "Associated American Artists" (AAA).Signed and titled in pencil.
Color woodcut on tan wove paper. Want to see more work by Nikki Barber?Visit our website dedicated to contemporary prints, Mesh Art Gallery.
Wood engraving.Woodcut Society Publications.Signed in pencil.
Lithograph on Basingwerk Parchment paper.Edition unknown, but certainly not large.Signed and titled in pencil.
Etching on wove paper. Edition of 16. Signed and titled in pencil.
Color wood engraving on laid paper. Edition of 75. Signed, titled and numbered in pencil.
Dual-tone wood engraving on wove paper.Reference: Smith R-77.Exact edition unknown, but less than 200.Published by American Artists Group, New York...
View full detailsEtching printed in black ink on thin J Whatman laid paper.Reference: Fletcher 257. Edition of 100. From the Spanish Church series. Signed and dated...
View full detailsColor woodcut on Japanese paper, 1978.Reference: Rose 370.Edition of 25.Signed, numbered and dated in pencil.
Etching and aquatint printed in blue ink on simili-Japan paper.Edition unknown, but very likely small. This composition seems scarce. Signed and ti...
View full detailsLithograph on GCM (Rives) wove paper. Reference: Flint 191. Edition of 20. Signed in pencil.
Aquatint, etching, and drypoint on Arches wove paper.Reference: Sanchez 517.Edition of 50.Compared to another version of this print, titled “Riders...
View full detailsEtching on antique laid paper.Reference: Fletcher 241. From the French Church Series, plate 31.Signed and editioned in pencil. With a red collector...
View full detailsColor woodcut on thick off-white laid paper.References: This work is not listed in Bakker's 1989 and 1990 retrospective catalogs on the artist.Edit...
View full detailsLithograph on cream wove paper printed in sepia ink. Reference: Quiroz 31. Edition of 20. Titled, numbered, signed and dated in pencil. Very fine i...
View full detailsLithograph on wove paper. Reference: Stuckey 196. Edition of 65. This subject was drawn in Ogunquit, Maine.Signed and annotated in pencil.
Lithograph on white wove paper, 1936.Exact edition unknown, but less than 200.Published by American Artists Group, New York, with their logo printe...
View full detailsColor woodcut on very thin wove Japan paper. Ref: Mason & Mason 59.This composition is used as the back cover illustration for the Masons' book...
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