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Man Reclining
MILLSAPS, Daniel
Woodcut on thin Japan wove paper. Stated edition of 45, but very unlikely to have been printed in full. The artist would have been just 18 years ol...
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Woodcut on thin Japan wove paper. Stated edition of 45, but very unlikely to have been printed in full. The artist would have been just 18 years ol...
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Woodcut on japon paper.Edition of 25.Signed titled and numbered in pencil.Sheet size: 11 5/8 x 13.375 inches.Condition notes: glue residue from old...
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Color woodcut on ivory laid Japan paper, circa 1910. Edition of 100. Signed, titled, and numbered in pencil. Image: 10 x 6 ⅞ inches. The faintest ...
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Aquatint and etching printed in blue ink on wove paper.Edition unknown; ours one of 10 artist’s proofs.The border surrounding the composition is se...
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Wood engraving on tissue-thin paper.This is a proof impression by the artist, possibly one used for reproduction one of the illustrated books, or g...
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Woodcut printed in black ink on thin laid Japanese paper, circa 1929-31.Reference: Turzak 22.Edition of 50.Signed, titled and numbered in pencil.
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Color aquatint printed on wove paper.Reference: Season, Myers & Windisch 231.Published by Associated American Artists (AAA), in an edition of 1...
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Ella FILLMORE LILLIE (1884-1972) Mitla Memento Lithograph on wove paper, n.d. Edition of 50. Signed and titled in pencil. Bearing “The Shealing – D...
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Etching and aquatint on wove paper, 1935.Reference: Smith I-8c.Edition of 250, as issued by The Print Club of Cleveland.Signed in pencil.
Mezzotint on wove paper. Pencil signed, titled and dated.Sheet size: 11 ½ x 9 inches. Modern Madonna reveals Woolley’s mastery of rich tone and tex...
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Aquatint and etching printed in dark bluish-black ink on wove paper. Edition of 12. Signed, titled, and numbered in pencil.
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Gouache and pastel on paper, mounted to second sheet. Signed and dated in ink.
Color linocut reduction. Edition of 26. Signed, titled, numbered and annotated in pencil.
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Collage on board, no date. Unique. Our title is made up. It’s what it evoked in us, but one should feel free to see something else in this whimsic...
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Monotype on thin Japan wove paper, 1942.Signed, titled and dated in pencil. Small margins. A small paper loss in the upper left sheet corner.
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Intaglio, most definitely aquatint mixed with other techniques, printed in simultaneous color printing (using various viscosities of ink) on Rives ...
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Lithograph printed in two colors on wove paper. Artist’s proof, aside from an edition of 100. An elegant outline drawing in black is overlaid with ...
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Cathédrale Naturelle (original French title)Drypoint printed on wove paper, 1929.Reference: Czestochowski 10.Total edition of 37.Annotated in the p...
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Aquatint, burnisher and drypoint on wove paper, c. 1925.Artist’s proof, aside from an unknown edition; if one was actually printed, which is doubtf...
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James SWANN (1905-1985) Night in Chicago Drypoint on wove paper.Reference: Czestochowski 105.Published by Chicago Society of Etchers (with their bl...
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Arun BOSE (Born 1934) Color intaglio (aquatint & etching) viscosity print on wove paper, 1969.Edition of 100.Signed, titled and numbered in pen...
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Wood engraving on thin laid paper. Edition unknown, but likely one of a handful of impressions only. Our colleagues and friends at The Annex Galler...
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Color aquatint and etching on laid paper, circa 1895. Edition of 50.Signed and numbered in pencil. Provenance: the estate of the artist, thence by ...
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