Madison & 50th
LEVINE, Martin
Etching and aquatint printed on Hahnemühle Copperplate Bright White wove paper.Edition of 120, published by the Madison Print Club.There were a fur...
View full detailsEtching and aquatint printed on Hahnemühle Copperplate Bright White wove paper.Edition of 120, published by the Madison Print Club.There were a fur...
View full detailsDrypoint or etching on Japan wove paper.Edition of 100.Signed and initialed, titled, editioned, dedicated “To Revere Whistehuff”, and dated “June 1...
View full detailsWoodcut printed in black and white and in color linocut on wove paper. Created in 1975. Printed in 2003. Published by The Print Club of Cleveland f...
View full detailsWoodcut on thin Japan wove paper. Stated edition of 45, but very unlikely to have been printed in full. The artist would have been just 18 years ol...
View full detailsColor woodcut on ivory laid Japan paper, circa 1910. Edition of 100. Signed, titled, and numbered in pencil. Image: 10 x 6 ⅞ inches. The faintest ...
View full detailsAquatint and etching printed in blue ink on wove paper.Edition unknown; ours one of 10 artist’s proofs.The border surrounding the composition is se...
View full detailsWood engraving on tissue-thin paper.This is a proof impression by the artist, possibly one used for reproduction one of the illustrated books, or g...
View full detailsWoodcut printed in black ink on thin laid Japanese paper, circa 1929-31.Reference: Turzak 22.Edition of 50.Signed, titled and numbered in pencil.
Color aquatint printed on wove paper.Reference: Season, Myers & Windisch 231.Published by Associated American Artists (AAA), in an edition of 1...
View full detailsElla FILLMORE LILLIE (1884-1972) Mitla Memento Lithograph on wove paper, n.d. Edition of 50. Signed and titled in pencil. Bearing “The Shealing – D...
View full detailsEtching and aquatint on wove paper, 1935.Reference: Smith I-8c.Edition of 250, as issued by The Print Club of Cleveland.Signed in pencil.
Aquatint and etching printed in dark bluish-black ink on wove paper. Edition of 12. Signed, titled, and numbered in pencil.
Gouache and pastel on paper, mounted to second sheet. Signed and dated in ink.
Collage on board, no date. Unique. Our title is made up. It’s what it evoked in us, but one should feel free to see something else in this whimsic...
View full detailsMonotype on thin Japan wove paper, 1942.Signed, titled and dated in pencil. Small margins. A small paper loss in the upper left sheet corner.
Intaglio, most definitely aquatint mixed with other techniques, printed in simultaneous color printing (using various viscosities of ink) on Rives ...
View full detailsCathédrale Naturelle (original French title)Drypoint printed on wove paper, 1929.Reference: Czestochowski 10.Total edition of 37.Annotated in the p...
View full detailsLithograph on wove paper.Edition of 20. Signed, titled, and annotated “20 imp.” in pencil. Very fine impression in pristine condition.
Aquatint, burnisher and drypoint on wove paper, c. 1925.Artist’s proof, aside from an unknown edition; if one was actually printed, which is doubtf...
View full detailsJames SWANN (1905-1985) Night in Chicago Drypoint on wove paper.Reference: Czestochowski 105.Published by Chicago Society of Etchers (with their bl...
View full detailsArun BOSE (Born 1934) Color intaglio (aquatint & etching) viscosity print on wove paper, 1969.Edition of 100.Signed, titled and numbered in pen...
View full detailsWood engraving on thin laid paper. Edition unknown, but likely one of a handful of impressions only. Our colleagues and friends at The Annex Galler...
View full detailsColor aquatint and etching on laid paper, circa 1895. Edition of 50.Signed and numbered in pencil. Provenance: the estate of the artist, thence by ...
View full detailsAquatint and soft-ground etching printed in simultaneous color printing (color viscosity) on Arches wove paper.Proof impression, aside from the edi...
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