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Rain on Murray Hill
LEWIS, Martin
Drypoint printed in greenish black ink on wove.Reference: McCarron 75.Edition is of 100.One of only a few impressions printed in greenish-black ink...
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Drypoint printed in greenish black ink on wove.Reference: McCarron 75.Edition is of 100.One of only a few impressions printed in greenish-black ink...
View full detailsEtching on thin laid paper. Signed, titled and dedicated “Jo S.H. Mori – with appreciation” in pencil. The faintest discoloration inside the mat w...
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Etching, soft-ground, and aquatint on laid paper. Stated edition of 100, which seams unlikely to have been printed. We have yet to find another imp...
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Reconstruction du Pont Notre-Dame, Mai 1911 (original French title) Etching printed in brown ink on simili-japon pape.Edition of 50.Signed and numb...
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Lithograph on thin wove paper, 1921. Reference: Mason 79.Printed by Bolton Brown, as is seemingly the case of the whole edition.Edition of 45, scar...
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Roseaux et Salicaire, Osmonde, etc (original French title) Etching on chine-collé on thick wove paper.References: Beraldi 174, BN-IFF 146.First pla...
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Retour de Pêche la Nuit (original French title) Etching and aquatint on laid paper. Reference: Morane 16.Annotated as a fourth state. As Morane com...
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Mezzotint printed in black ink on laid paper.Edition of 250. Rather scarce today.Published by Associated American Artists, New York.Signed and tit...
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Lithograph printed on “GCM” wove paper.Reference: Windisch, Cole, and Herbaugh 324.Published by Associated American Artists (AAA), in an edition of...
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Etching and mezzotint (or roulette), with scraper, printed on japon paper.Signed and dedicated “To Monsieur et Madame Gabrielle Mouret – With best ...
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Le Bi à Villerville (Robert Besnard) (original French title) Etching on tan wove paper.Reference: Delteil 20 ii/ii. Second and final state.Edition...
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Etching on wove paper. Edition of 60. Part of a set of prints commissioned by the Sheffield Steel Corporation in 1937. Signed, numbered, and titl...
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Lithograph on wove paper, 1944. Edition of 50.The artist apparently made another version of such a Roman ruin in a Southwestern landscape.Signed, d...
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Etching on thin wove paper. Reference: Beraldi 1; Villet 1. Seemingly a first state; definitely before letters and before the plate started to dark...
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Etching on laid paper.Reference: Fletcher 195. From the French Church Series, plate 15.Printed in 1927 by Frederick Reynolds.Signed and dated in pe...
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Etching, printed on laid paper. Reference: Fletcher 248. From the French Church Series, plate 34. Signed and dated, and annotated “II” in pencil.
Lithograph on laid chine paper. Rare proof impression, aside from the book edition titled "Allo! Paris!". Before the publication by "Editions des...
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Mezzotint with touches of drypoint printed in brownish-black ink on laid paper.Reference: Bertin 51.|Very likely the second state of two, with lett...
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Armée du Salut, Hommes (original French title) Lithograph on laid japon-volant paper.Reference: Sylvain Laboureur 767.Signed and numbered "5/12" in...
View full detailsIntaglio (etching, maybe also engraving and drypoint) on thin wove paper.Edition unknown, probably not very large.Signed in pencil, and titled in t...
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Etching and aquatint over heliogravure (photogravure) on simili-japon wove paper. Reference: Exsteens 783. Plate 1 from Les Sataniques. There is a ...
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Échafaudages dans la Cale au Pollet, Dieppe (original French title) Etching, roulette & drypoint in brownish-black ink on laid Arches paper.Ref...
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Répandu Ecale (original French title) Engraving printed on BFK Rives wove paper.Edition of 100.Published by Georgetown Graphics Inc for the Print C...
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Ink and pencil on paper, mounted on board.Signed with and "MG" monogram in pencil.A design for an Art Nouveau screen.
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