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Princess Maleine
DE FEURE, Georges
Princesse Maleine (original French title) Lithograph printed on wove paper.Proof, aside from the numbered edition of 30.Composition based on the pl...
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Princesse Maleine (original French title) Lithograph printed on wove paper.Proof, aside from the numbered edition of 30.Composition based on the pl...
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Etching on Rives wove paper.Edition of 332.From a portfolio of prints titled Princeton University, which contained seven etchings.Signed in pencil.
Lithograph on Montval laid paper, 1929.Edition 250. Printed by Adolphe Braun & Co, Paris.Signed in pencil. This composition has a particularly ...
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Mezzotint on Rives wove paper.Edition unknown.There is no indication of artist or title, yet this is a finely crafted mezzotint.It is likely French...
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Graphite on wove paper, circa 1925. Preparatory and transfer drawing for a lithograph, with clear transfer indication on the verso. This is very li...
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Etching, aquatint and drypoint on simili-japon paper.References: Exsteens 25; Arwas 39.Edition unknown, likely of circa 50.Published by Gustave Pel...
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Etching printed over an additional tone plate on wove paper. References: Guiffrey 73; BN-IFF 136. Corners torn off, and with a few tears in the sh...
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Konijn en Duif (original Dutch title) Woodcuts on wove paper, mounted in the top corner onto another sheet, circa 1920. Edition unknown, but like...
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Pluie et Parapluie (original French title) Etching, possibly with touches of drypoint, printed on laid paper (partial watermark suggesting Arches),...
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Drypoint printed in greenish black ink on wove.Reference: McCarron 75.Edition is of 100.One of only a few impressions printed in greenish-black ink...
View full detailsEtching on thin laid paper. Signed, titled and dedicated “Jo S.H. Mori – with appreciation” in pencil. The faintest discoloration inside the mat w...
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Etching, soft-ground, and aquatint on laid paper. Stated edition of 100, which seams unlikely to have been printed. We have yet to find another imp...
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Reconstruction du Pont Notre-Dame, Mai 1911 (original French title) Etching printed in brown ink on simili-japon pape.Edition of 50.Signed and numb...
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Lithograph on thin wove paper, 1921. Reference: Mason 79.Printed by Bolton Brown, as is seemingly the case of the whole edition.Edition of 45, scar...
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Roseaux et Salicaire, Osmonde, etc (original French title) Etching on chine-collé on thick wove paper.References: Beraldi 174, BN-IFF 146.First pla...
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Retour de Pêche la Nuit (original French title) Etching and aquatint on laid paper. Reference: Morane 16.Annotated as a fourth state. As Morane com...
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Mezzotint printed in black ink on laid paper.Edition of 250. Rather scarce today.Published by Associated American Artists, New York.Signed and tit...
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Lithograph printed on “GCM” wove paper.Reference: Windisch, Cole, and Herbaugh 324.Published by Associated American Artists (AAA), in an edition of...
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Etching and mezzotint (or roulette), with scraper, printed on japon paper.Signed and dedicated “To Monsieur et Madame Gabrielle Mouret – With best ...
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Le Bi à Villerville (Robert Besnard) (original French title) Etching on tan wove paper.Reference: Delteil 20 ii/ii. Second and final state.Edition...
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Etching on wove paper. Edition of 60. Part of a set of prints commissioned by the Sheffield Steel Corporation in 1937. Signed, numbered, and titl...
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Lithograph on wove paper, 1944. Edition of 50.The artist apparently made another version of such a Roman ruin in a Southwestern landscape.Signed, d...
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Etching on laid paper, with an unrecognized scrolly coat of arms watermark. Reference: Schneiderman 85 v/vi. Fifth state, with letters. This state ...
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