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A Street in Old Chartres
SMITH, Jules Andre
Etching on thin wove paper. Signed in pencil. Also titled and priced “25” in pencil in the lower left sheet edge in what appears to be the hand of ...
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Etching on thin wove paper. Signed in pencil. Also titled and priced “25” in pencil in the lower left sheet edge in what appears to be the hand of ...
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Ink and graphite on wove sketchbook paper. The sheet folded twice vertically, likely to fit in a breast pocket. Torn top left sheet corner. Overall...
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Etching printed in black ink on thin J Whatman laid paper.Reference: Fletcher 257. Edition of 100. From the Spanish Church series. Signed and dated...
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Aquatint and etching printed in blue ink on wove paper.Edition unknown; ours one of 10 artist’s proofs.The border surrounding the composition is se...
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Color intaglio viscosity print on wove paper.Edition of 75.Signed and numbered in pencil. The artist obtains effects that resemble velour in the th...
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Color intaglio viscosity print, with mica ink, printed on wove paper.Edition of 120.Signed and numbered in pencil. The artist obtains effects that ...
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Aquatint, etching, and drypoint on Arches wove paper.Reference: Sanchez 517.Edition of 50.Compared to another version of this print, titled “Riders...
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Cut-out color aquatint and etching on BFK Rives wove paper, 1970. Reference: Spielmann 282.1. Edition of 100. Signed, titled, and numbered in pencil.
Etching on wove paper. Titled and signed in pencil at the lower margins. NOTE: George Arliss (1868-1946) won the 1930 Academy Award (only the seco...
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Each print titled and signed in pencil at the lower margins.Largest size given below, smaller print size is 5 x 5 inches.
Etching on wove paper.Initialed in the plate at lower left, and pencil signed at lower right.Sheet size: 8 7/8 x 7 5/8 inches.
Etching and aquatint in red ink on wove paper.Pencil signed, titled and inscribed A/P.Sheet size: 15 x 19 inches.
Etching in gray ink on wove paper.Edition of 15.Signed, dated and numbered 6/15 in pencil.Sheet size: 11 ¼ x 7 ½ inches sheet.
Etching and aquatint in brown ink on Rives paper.Edition of 15.Signed, dated and numbered 12/15 in pencil.
Etching on wove paper. Edition of 50.Signed, titled, and numbered in pencil. Craft hinge remains in the top sheet corners, well away from the plate...
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Etching and/or drypoint on thin wove Japan paper. Reference: Czestochowski (?). Dedicated “To Anne B Hardin” in pencil, this probably was a New Yea...
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Etching on thin wove paper, circa 1920. Signed in pencil. Also titled and priced “16.00” in pencil in the lower left sheet edge in what appear...
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Drypoint on BFK Rives wove paper. Reference: Zinc 68 (?).Scarce. No known edition. Just a handful of impressions seem to have survived, some signed...
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Etching and aquatint on wove paper. No known edition, but proofs exist including in the University of Syracuse Art Museum collection (see here). Si...
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Aquatint and etching on thick tan wove paper.Signed in pencil. Provenance: Estate of William Greenbaum, Gloucester, Massachusetts, a true gentleman...
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Etching on thin wove japan paper.Edition of 50.This is thought to be the artist's first etching.Signed, titled, numbered and dated in pencil. Prove...
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Etching on laid paper.Presumed edition of 50.Initialed and dated in the plate, and signed in pencil. We add the preparatory drawing: Ink on wove sk...
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Color viscosity intaglio on Arches wove paper.Stated edition of 10, but according to the artist likely not printed in full.Printed while the artist...
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Etching on "papier verdâtre" (pale green) laid paper. Reference: Fletcher 384 iii/iii. Signed and dated in pencil. A miracle of miniature printmak...
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