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Etching printed in black ink on thin J Whatman laid paper.Reference: Fletcher 257. Edition of 100. From the Spanish Church series. Signed and dated...
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Aquatint and etching printed in blue ink on wove paper.Edition unknown; ours one of 10 artist’s proofs.The border surrounding the composition is se...
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Color intaglio viscosity print on wove paper.Edition of 75.Signed and numbered in pencil. The artist obtains effects that resemble velour in the th...
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Color intaglio viscosity print, with mica ink, printed on wove paper.Edition of 120.Signed and numbered in pencil. The artist obtains effects that ...
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Aquatint, etching, and drypoint on Arches wove paper.Reference: Sanchez 517.Edition of 50.Compared to another version of this print, titled “Riders...
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Color viscosity intaglio on Arches wove paper.Stated edition of 10, but according to the artist likely not printed in full.Printed while the artist...
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Etching on "papier verdâtre" (pale green) laid paper. Reference: Fletcher 384 iii/iii. Signed and dated in pencil. A miracle of miniature printmak...
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Etching on laid paper.Reference: Fletcher 195. From the French Church Series, plate 15.Printed in 1927 by Frederick Reynolds.Signed and dated in pe...
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Etching on antique laid paper.Reference: Fletcher 241. From the French Church Series, plate 31.Signed and editioned in pencil. With a red collector...
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Etching and engraving on chine-collé on wove paper.Reference: Pousette-Dart 13. Memorial plate to the artist's first wife, Elizabeth Louise. Scatte...
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Etching on wove paper.Reference: Retif & Salzer 19.Stated edition 100, but likely not completed. Extremely scarce. We have not found another im...
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Also know as a Spanish Town Revisited Etching on wove paper. Reference: Fletcher 142. From the Spanish Church Series, plate 2. Edition of 150 Signe...
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Etching on wove paper.Reference: Windisch. Cole, and Herbaugh 667. Published by Associated American Artists (AAA), in an edition of 250. Signed in ...
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Etching, printed on laid paper. Reference: Fletcher 248. From the French Church Series, plate 34. Signed and dated, and annotated “II” in pencil.
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Etching on wove paper, no date.Edition of 95.Signed and numbered in pencil.
Etching on laid paper, circa 1930.Edition unknown, but likely small, like most of Ripley’s prints.Signed and titled in pencil.
Etching on wove paper. Edition of 60. Part of a set of prints commissioned by the Sheffield Steel Corporation in 1937. Signed, numbered, and titl...
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Color aquatint and etching on laid paper, circa 1895. Edition of 50.Signed and numbered in pencil. Provenance: the estate of the artist, thence by ...
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Etching printed in black ink on laid paper. Reference: McCarron 70Total edition 83. Signed in pencil, also signed in the plate, lower right. This ...
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Aquatint and etching on wove paper. Edition of 100. Signed in pencil.
Reference: Kraeft 79.Edition of 100.Signed and annotated 'For Esta Nichols' in pencil. Very fine impression in near perfect condition, aside from s...
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Drypoint or etching on Japan wove paper.Edition of 100.Signed and initialed, titled, editioned, dedicated “To Revere Whistehuff”, and dated “June 1...
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Etching on cream-colored wove paper.Reference: Mary Ryan 59.Edition of circa 50.Signed in pencil
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Etching printed in black in with warm plate tone on wove paper, 1948. Edition unknown, but certainly small, if any was printed at all. This one a ...
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