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The Last Rays
RIVIERE, Henri
Les Derniers Rayons (original French title) Lithograph printed in color on smooth wove paper.Reference: Fields page 77.Plate 16 from the series of ...
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Les Derniers Rayons (original French title) Lithograph printed in color on smooth wove paper.Reference: Fields page 77.Plate 16 from the series of ...
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Cut-out color aquatint and etching on BFK Rives wove paper.Reference: Spielmann 286.4.Edition of 100.Signed, titled, and numbered in pencil. Condit...
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Simultaneous color printing intaglio (a.k.a. viscosity print) on Arches wove paper. Edition of 100. While Swift only studied at Atelier 17 in Paris...
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Color intaglio viscosity print on wove paper.Edition of 75.Signed and numbered in pencil. The artist obtains effects that resemble velour in the th...
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Color intaglio viscosity print on wove paper.Edition of 75.Signed and numbered in pencil. The artist obtains effects that resemble velour in the th...
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Color intaglio viscosity print, with mica ink, printed on wove paper.Edition of 120.Signed and numbered in pencil. The artist obtains effects that ...
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L’Aiglon (original French title) Simultaneous color printing aquatint on Arches wove paper, n.d.Edition of 120.Signed and numbered in pencil.
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Color woodcut on thin laid paper.Edition of 30.From a set of 6 prints titled Lake Mountain (湖山 Japanese title).Signed in the image, titled, annota...
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Père Boyer or Vieillard Assis or Le Vieux (original French titles) Color aquatint, soft-ground etching and gouache on Arches laid paper.Ref: not in...
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Cut-out color aquatint and etching on BFK Rives wove paper.Reference: Spielmann 286.5.Edition of 100. Signed, titled, and numbered in pencil.
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Color mezzotint printed on wove paper. Printed by the artist in Hadano, Japan in 2014. Published by The Print Club of Cleveland for their presenta...
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Pastel on laid paper. A fabulous rendition of a working man retracting his neck as deeply as he possibly can into his bright scarf. His hands are a...
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Color lithograph on BFK Rives wove paper.Printed to the sheet’s deckled edge. Trial proof, aside from the edition. Edition unknown. Signed, titled,...
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L’Ondine (original French title) Woodcut printed in two tones on laid Japan paper.Edition of 30 or 50. The numbering on two known impressions is h...
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Two katazome stencil prints on Japan paper.Edition unknown. Likely created for the Anglo-Saxon market, or for a foreign company based in Japan.Not...
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Katazome stencil print on Japan paper.Edition unknown. Likely created for the Anglo-Saxon market, or for a foreign company based in Japan.Note: at...
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Color woodcut on Japan paper. Possible edition of 100. Trimmed by the artist, to the image on three sides, and just below the pencil notations at t...
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The title seems to be a name, Deviah, Devish. The spelling is uncertain. Any insight would be welcome. Cut-out aquatint and soft-ground etching, ...
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Color viscosity intaglio print on tan wove paper, 1957.Artist's proof. No edition as a such. But clearly used for another edition.Seemingly this ...
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Ville (éblouir) (original French title) Color intaglio, likely printed in simultaneous color printing, on BFK Rives wove paper.Edition of 50, with ...
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Quatre Iles (original French title)Embossed color aquatint and linear scuffing on wove paper.Printed to the sheet edge, as usual.Trial proof, aside...
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Color mezzotint on thick wove paper.Edition unknown, but very likely small.Signed and titled in pencil. Image: 6 x 8 ⅞ inches. This lovely color me...
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This work is on hold for a client. Please email to check availability. Color intaglio and viscosity print on wove paper, February 1964.Edition of 1...
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La Nonchalante (original French title) Color aquatint and drypoint on laid paper, 1903.Reference: Koehl E153.From the edition of 50 published by Ed...
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