Femme et Lampe or Femme Lisant
RIPPL-RONAI, Jozsef
Color lithograph on tan wove paper. Published by La Revue Blanche in August 1894. Edition details for this publication are hard to come by, but it ...
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Color lithograph on tan wove paper. Published by La Revue Blanche in August 1894. Edition details for this publication are hard to come by, but it ...
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Etching printed in bistre on laid japon paper.Reference: Feltkamp 1894 - 001 /1. Very few impressions. We have only located one other one, printed ...
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Etching on toned wove paper.References: LeBlanc 51; Béraldi 214-295. Titled, dated, signed and annotated in ink in the lower plate margin. Small ma...
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Etching on chine-collé en thick wove paper. Reference: Guiffrey 205; Béraldi page 188. Lower right sheet corner torn off, in wide margins, well awa...
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Etching and aquatint on laid Arches paper. References: Beraldi 35; BN-IFF 79.The Bibliothèque Nationale mentions the existence of two states. Scar...
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Etching and drypoint, on laid paper (1st state), on tan laid paper (2nd state).Reference: Béraldi 57.Two impressions, the first a proof impression ...
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Lithograph on tan wove paper.References: Roger-Marx 16; Aitken 58, Eckert Boyer 36 .Program for a play by Henrik Ibsen at the Théatre de l'Oeuvre.P...
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Etching and aquatint on chine-collé on wove paper.Reference: Fitch-Febvrel 68. Edition of 90. Signed, titled, dated and numbered in pencil.
Etching with subtle plate tone on wove paper. Reference: Bliss 604, only state. Signed in pencil.
Etching on thick wove paper.Reference: Bliss 503 ii/ix.Before the etched borderline, before the plate was cut down, and before the composition was ...
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Etching on thick wove paper.Refences: Delteil/Wright 53 v/vi; Schneiderman 96 v/vii.Bearing a butterfly stamp (collector's stamp?) in the lower rig...
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Pencil with pale-blue touches on board. Provenance: collection Mrs. Ernest Haskell, Jr; exhibited at Crocker Art Gallery in 1976 retrospective, Sac...
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Etching on laid paper. References: Bruette/Roullier 154 i/ii, LOC 181. Signed in pencil. Cut to the platemark (very likely by the artist).
Etching on Japan wove paper.Reference: Bruette 102, LOC 301. Narrow margins.
Etching on chine-collé on white wove paper. Reference: Van Gelder 107 only state. As published in Revue Fantaisiste, September 1861. Faint foxing i...
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Etching on laid japon paper.Reference: Delteil 124 between i/ii and ii/iii.Almost certainly a state between Delteil's first and second, with the mo...
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Cliche-verre, mounted on card. Reference: Delteil 48. Exceedingly scarce, early impression in brown.The last impression to come up for auction was ...
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Black crayon and watercolor on tan laid paper.This is a preliminary drawing for a color woodcut on page 53 of Paysages et Coins de Rues, Jean Riche...
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Drypoint on wove paper with two flower watermarks (papermaker unidentified).Reference: McCarron 76. Edition of 84. Lewis uses the dramatic nighttim...
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Coin de rue, Quartier des Grandes Carrières (original French title) Etching and aquatint on laid Japan paper.Reference: Tabanelli 76. Artist's proo...
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Hélène of Septeuil or Enfant au Perroquet Drypoint on laid Van Gelder paper, c. 1890. Reference: Breeskin 134. Very likely a fourth state of five, ...
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Wood engraving on thin laid paper. Edition unknown, but likely one of a handful of impressions only. Our colleagues and friends at The Annex Galler...
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Color aquatint and drypoint on simili-Japan wove paper, 1913.No stated edition, but likely one of just a handful of impressions. All prints by this...
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Lithograph on wove paper. Reference: Stuckey 194. Edition of 50. This subject was drawn in Ogunquit, Maine. Signed and annotated in pencil.
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