Approach of Spring
NASON, Thomas
Etching and engraving on laid paper.Published by the Society of American Etchers. Signed and dated in pencil.
Etching and engraving on laid paper.Published by the Society of American Etchers. Signed and dated in pencil.
Etching on thick wove paper.Reference: Bliss 503 ii/ix.Before the etched borderline, before the plate was cut down, and before the composition was ...
View full detailsEtching printed in dark brown ink on laid paper.Refereces: Delteil/Wright 29 iii/v; Schneiderman 24ii or iii/v.A rich impression of this early stat...
View full detailsGraphite, conté crayon, and ink wash on wove notary ledger paper.Signed with an "R. Verdun" stamp (not in Lugt, and not the atelier sale stamp that...
View full detailsEtching on Japan wove paper.Reference: Bruette 102, LOC 301. Narrow margins.
Linocut on Japan wove paper. Stated edition of 100, but another impression found was numbered only over 10. Scarce.Signed, titled, and numbered in ...
View full detailsMädchenkopf mit langen Haar (original German title) Mezzotint on thick wove paper. Printed by Otto Felsing, Berlin. We have found a few impressions...
View full detailsLithograph on wove paper, 1940. Reference: Rose &Quiroz 58. Edition of 35. Prentiss Taylor was an active member of the multidisciplinary art mo...
View full detailsPaysage (original French title) Etching and drypoint on Arches laid paper, before 1888. Reference: Duvivier 172.Edition unknown. One impression wa...
View full detailsUn Gueux (original French title) Etching and aquatint on laid paper. Reference: Tabanelli 10. On impression in black ink only. Impressions in color...
View full detailsEtching on wove paper.Reference: Windisch. Cole, and Herbaugh 667. Published by Associated American Artists (AAA), in an edition of 250. Signed in ...
View full detailsEtching, printed on laid paper. Reference: Fletcher 248. From the French Church Series, plate 34. Signed and dated, and annotated “II” in pencil.
Etching on wove paper. Reference: Fletcher 65. Artist’s proof from the tenth and final state, aside from the edition. Signed in pencil and annotate...
View full detailsWoodcut on thin Japan wove paper. Stated edition of 45, but very unlikely to have been printed in full. The artist would have been just 18 years ol...
View full detailsMezzotint on wove paper.Edition was to be of 35 but was likely not completed. Rare.The current work was the artist's last published mezzotint.Signe...
View full detailsAngélique à Sa Porte (original French title) Soft-ground etching, etching, and aquatint on laid paper. Reference: Morane 15.We present two states o...
View full detailsRetour de Pêche la Nuit (original French title) Etching and aquatint on laid paper. Reference: Morane 16.Annotated as a fourth state. As Morane com...
View full detailsDernière nouveauté (original French title) Lithograph printed on smooth wove paper. Reference: Vallotton et Goerg 44.Edition of 100.Reproduced in L...
View full detailsQuelques Aspects de la vie de Paris (original French title) Color lithograph on wove chine paper. References: Bouvet 58, Johnson 10.Cover for the a...
View full detailsWoodcut on thin laid paper, 1943-44. Trial proof, aside from an edition of 27. It’s rush hour and a sea of people is holding on for dear life as th...
View full detailsLa Tamise à Londres (original French title) Woodcut “en camaieu” (black, gray, and pale-blue) on thin laid Japan paper.Reference: BN-IFF 86.Two imp...
View full detailsColor woodcut on Japan paper, no date. Edition of 75.Signed, titled and numbered in pencil. The sheet was folded on the left side, on purpose, to b...
View full detailsRennende Paarden or Twee Ruiters (original Dutch titles) Woodcut on laid paper. No stated edition, but quite scarce, as are most of Rinsema’s woodc...
View full detailsLithograph on thin tan chine paper, 1887. Reference: Mellerio 71. This is a proof aside from the scarce edition of 25 on chine-collé, printed by L...
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