Approach of Spring
NASON, Thomas
Etching and engraving on laid paper.Published by the Society of American Etchers. Signed and dated in pencil.
Etching and engraving on laid paper.Published by the Society of American Etchers. Signed and dated in pencil.
Lithograph on wove paper. References: Cole 34; Windisch, Cole Jr. & Herbaugh 389.Edition of 250. Published by Associated American Artists (AAA)...
View full detailsWood engraving on laid japon volant paper, 1935. Edition unknown. Not very common. This is a quintessential image of American industrialization...
View full detailsLithograph on wove paper, 1944.Reference: Rose & Quiroz 68.Edition of 30. Signed, dated, and titled in pencil.Very fine impression in pristine ...
View full detailsLithograph on wove paper.Reference: Cole 10.Edition of 250, published by Associated American Artists (A.A.A.)Signed in pencil. This is a rare fine...
View full detailsWoodcut on thin Japan, mounted by four corners onto wove paper. Edition of 50. Signed, titled and numbered in pencil.
Woodcut on China paper. Published by the Woodcut Society (Kansas City), 1950. Edition of 200. Signed and titled in pencil. Image: 11 x 8 ⅜ inches. ...
View full detailsLithograph on white wove paper.Edition of 100. Numbered, titled, signed and dated in pencil. Very fine impression in pristine condition.
Woodcut on Japanese paper.Reference: Cole 50.One of 15 impressions printed in 1937 by the artist. An edition of 60, plus 18 proofs was published b...
View full detailsLithograph on wove paper, n.d.Edition of 50.Signed and titled in pencil.Bearing “The Shealing – Danby, Vermont” drystamp (as well as an “E.F.L. dry...
View full detailsLe Ruisseau des Gorges or Les Rochers (original French title) Lithographic transfer of an etching, on chine-collé, as the artist was prone to doi...
View full detailsMoulin près de l'Alby en Savoye (original French title) Etching on chine-collé on thick paper, 1846. References: Beraldi 58; Le Blanc 62; BN-IFF...
View full detailsLithograph on wove paper, circa 1930.Signed in pencil.
Drypoint on wove paper with two flower watermarks (papermaker unidentified).Reference: McCarron 76. Edition of 84. Lewis uses the dramatic nighttim...
View full detailsEtching on wove paper.Reference: Retif & Salzer 19.Stated edition 100, but likely not completed. Extremely scarce. We have not found another im...
View full detailsDrypoint on wove paper.Reference: McCarron 62. Second state of two, after crosshatching and contrasting elements were added throughout the plate. T...
View full detailsWoodcut on thin Japan paper. Edition unknown, but likely one of a handful of impressions only. Aside from a couple of published prints, most woodcu...
View full detailsWood engraving on thin laid paper. Edition unknown, but likely one of a handful of impressions only. Our colleagues and friends at The Annex Galler...
View full detailsLithograph on wove paper. Reference: Stuckey 194. Edition of 50. This subject was drawn in Ogunquit, Maine. Signed and annotated in pencil.
Lithograph on wove paper. Reference: Stuckey 196. Edition of 65. This subject was drawn in Ogunquit, Maine.Signed and annotated in pencil.
Lithograph on wove paper, 1940. Reference: Rose &Quiroz 58. Edition of 35. Prentiss Taylor was an active member of the multidisciplinary art mo...
View full detailsLithograph on wove paper. Edition of 90.Signed, titled, and numbered in pencil.
Lithograph on wove paper, 1945.No stated edition, and scarce. It isn’t clear that any editions were ever printed of any of the artist’s few lithogr...
View full detailsWoodcut on thin laid paper, 1943-44. Trial proof, aside from an edition of 27. It’s rush hour and a sea of people is holding on for dear life as th...
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