L’Italienne or Portrait de Madame B.
CHAHINE, Edgar
Drypoint and direct bite on laid paper, 1900. Reference: Tabanelli 47. Second state of two.Total edition of 40 on a variety of papers, according to...
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Drypoint and direct bite on laid paper, 1900. Reference: Tabanelli 47. Second state of two.Total edition of 40 on a variety of papers, according to...
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Etching and aquatint on wove paper. Likely one of the artist's early etchings, which often depicted "La Butte Montmartre" and its picturesque stre...
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Etching on wove paper. Reference: Delteil 241 ix/ix. Signed in pencil.
Lithograph on laid chine paper. Rare proof impression, aside from the book edition titled "Allo! Paris!". Before the publication by "Editions des...
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Lithograph sur blanc. Reference: Delteil 76 i/ii. Impressions sur blanc (on blank white paper), rather than the more common impressions on newspri...
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Color lithograph on thin wove paper. Reference: Fields 378. New Year's which the Auriol household did for about two decades. This one a color trial...
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Etching on laid paper, circa 1905-1910. Reference: not in BN-IFF. Stated edition of 30. Son of Tony Beltrand, who died very young. The work is ext...
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Etching on laid japon paper. Reference: Malassis et Thibaudeau 182 ii/xiv (?). Very rare according to the Bliss catalog (an impression of this sta...
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Etching and drypoint on laid paper. Reference: Bliss 356 iii/viii. Signed in pencil. Fine impression, one of 6 of this state, and of only 26 impr...
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Graphite on wove paper. Signed in pencil.Inscribed with the location.
Etching on chine-collé on BFK Rives wove paper. Reference: Fitch-Febvrel 68. Edition of 90. Signed, titled, dated, and numbered in pencil.
Etching on BFK Rives wove paper. Reference: Fitch-Febvrel 38. Edition of 90. Signed, titled, dated, and numbered in pencil.
Pour un Projet Sensationnel or Le Secret (original French title) Drypoint on Arches laid paper. Reference: Ginestet et Pouillon E106. Artist’s proo...
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Black crayon, colored pencil, and pastel on wove paper. Unrelated to any print by the artist; likely an idea that never really went any further, th...
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Etching on laid paper. Reference: Delteil 14 ii/ii. Superb impression of Millet's rarest, and arguably best etching. Large margins (tips of two co...
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Etching and engraving on chine-collé on wove paper.Reference: Pousette-Dart 13. Memorial plate to the artist's first wife, Elizabeth Louise. Scatte...
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Color lithograph on tan wove paper. Published by La Revue Blanche in August 1894. Edition details for this publication are hard to come by, but it ...
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Etching on chine-collé en thick wove paper. Reference: Guiffrey 205; Béraldi page 188. Lower right sheet corner torn off, in wide margins, well awa...
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Etching and aquatint on laid Arches paper. References: Beraldi 35; BN-IFF 79.The Bibliothèque Nationale mentions the existence of two states. Scar...
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Etching and aquatint on chine-collé on wove paper.Reference: Fitch-Febvrel 68. Edition of 90. Signed, titled, dated and numbered in pencil.
Etching with subtle plate tone on wove paper. Reference: Bliss 604, only state. Signed in pencil.
Etching on Japan wove paper.Reference: Bruette 102, LOC 301. Narrow margins.
Etching on chine-collé on white wove paper. Reference: Van Gelder 107 only state. As published in Revue Fantaisiste, September 1861. Faint foxing i...
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Black crayon and watercolor on tan laid paper.This is a preliminary drawing for a color woodcut on page 53 of Paysages et Coins de Rues, Jean Riche...
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