The Farmer’s Daughter
MENPES, Mortimer
Drypoint (possibly etching) printed in black on F.J.H. Menpes laid paper, n.d. Edition unknown, but very likely small.Signed in pencil.
Drypoint (possibly etching) printed in black on F.J.H. Menpes laid paper, n.d. Edition unknown, but very likely small.Signed in pencil.
Lithograph on wove paperReference: Rose & Quiroz 78. Edition of 25. Signed, dated, and titled in pencil. Very fine impression in pristine condi...
View full detailsColor aquatint and etching on wove paper, 1987.Edition of 95. Neumühlen is a strip of land along the Elbe River in Hamburg, Germany which was once ...
View full detailsColor woodcut on Japan paper, no date. Edition of 75.Signed, titled and numbered in pencil. The sheet was folded on the left side, on purpose, to b...
View full detailsColor aquatint and etching on laid paper, no date. Edition of 50.Signed and numbered
Lithograph on thin tan chine paper, 1887. Reference: Mellerio 71. This is a proof aside from the scarce edition of 25 on chine-collé, printed by L...
View full detailsColor aquatint printed on wove paper.Reference: Season, Myers & Windisch 231.Published by Associated American Artists (AAA), in an edition of 1...
View full detailsScreenprint, or silkscreen on reused advertisement board. This proof is printed on the blank back of an advertisement poster, cut in half by the ar...
View full detailsDroom der Aanbidden (original Dutch title) Etching and aquatint printed on thick tan wove paper.Two states, one without the background of the sun’s...
View full detailsLithograph on Montval laid paper, 1929.Edition 250. Printed by Adolphe Braun & Co, Paris.Signed in pencil. This composition has a particularly ...
View full detailsColor woodcut on very thin wove Japan paper. Ref: Mason & Mason 59.This composition is used as the back cover illustration for the Masons' book...
View full detailsMezzotint and drypoint on wove paper, no date. Edition of 50. Signed and numbered in pencil.
Color aquatint and etching on laid paper, circa 1895. Edition of 50.Signed and numbered in pencil. Provenance: the estate of the artist, thence by ...
View full detailsColor aquatint on wove paper. Edition unknown, but certainly small, like all the artist’s work. A small paper tab (which we add), handwritten in th...
View full detailsSilver-gelatin print, no date. Edition unknown. Signed and titled in pencil on the verso. Sheet size: 14 x 11 inches. A very fine impression on s...
View full detailsKonijn en Duif (original Dutch title) Woodcuts on wove paper, mounted in the top corner onto another sheet, circa 1920. Edition unknown, but like...
View full detailsColor woodcut (woodblock print) on Japan paper, no date. Edition unknown, but likely small. Signed in pencil.
Color woodcut (woodblock print) on Japan paper, no date. Edition unknown, but likely small. Signed in pencil.
Etching on wove paper Reference: not in Novák. Edition unknown. Signed in pencil, and bearing the artist’s red monogram stamp.
Ramasseurs de Bouts de Cigares au Pont de Grenelle (original French title) Aquatint, soft-ground, and etching on laid paper.Reference: Morane 38. ...
View full detailsCollage on board, no date. Unique. Our title is made up. It’s what it evoked in us, but one should feel free to see something else in this whimsic...
View full detailsWoodcut printed in black ink on thin laid Japanese paper, 1934 or 1935. From a series of 10 woodcuts titled A History of Illinois in Woodcuts. Edit...
View full detailsLithograph on wove paper, no date. Edition unknown, but if there was any, it certainly was small. The format suggests it could have been intended...
View full detailsColor woodcut (woodblock print) on Japan paper, no date.Edition unknown, but likely small.Signed in pencil.
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