Le Moulin de Valvins
BLERY, Eugene
Etching on toned wove paper.References: LeBlanc 51; Béraldi 214-295. Titled, dated, signed and annotated in ink in the lower plate margin. Small ma...
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Etching on toned wove paper.References: LeBlanc 51; Béraldi 214-295. Titled, dated, signed and annotated in ink in the lower plate margin. Small ma...
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Etching on chine-collé en thick wove paper. Reference: Guiffrey 205; Béraldi page 188. Lower right sheet corner torn off, in wide margins, well awa...
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Etching on thick wove paper.Reference: Bliss 503 ii/ix.Before the etched borderline, before the plate was cut down, and before the composition was ...
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Etching on thick wove paper.Refences: Delteil/Wright 53 v/vi; Schneiderman 96 v/vii.Bearing a butterfly stamp (collector's stamp?) in the lower rig...
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Etching on laid japon paper.Reference: Delteil 124 between i/ii and ii/iii.Almost certainly a state between Delteil's first and second, with the mo...
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Cliche-verre, mounted on card. Reference: Delteil 48. Exceedingly scarce, early impression in brown.The last impression to come up for auction was ...
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Coin de rue, Quartier des Grandes Carrières (original French title) Etching and aquatint on laid Japan paper.Reference: Tabanelli 76. Artist's proo...
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Lithograph on wove paper. Reference: Stuckey 196. Edition of 65. This subject was drawn in Ogunquit, Maine.Signed and annotated in pencil.
Paysage (original French title) Etching and drypoint on Arches laid paper, before 1888. Reference: Duvivier 172.Edition unknown. One impression wa...
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Also know as a Spanish Town Revisited Etching on wove paper. Reference: Fletcher 142. From the Spanish Church Series, plate 2. Edition of 150 Signe...
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Lithograph on wove paper. Edition of 90.Signed, titled, and numbered in pencil.
Color mezzotint on Arches wove paper.Edition of 75.Signed, titled, dated, and numbered in pencil.
Lithograph on wove paper. Reference: Flint 217. Edition of 15. Signed in pencil.
Lithograph on GCM (Rives) wove paper. Reference: Flint 191. Edition of 20. Signed in pencil.
Aquatint and soft-ground etching printed in color on simili-Japan wove paper,Reference: Novák 192. Edition of 200. Signed and numbered in pencil,...
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Color drypoint on simili-japon paper.Reference: Delteil 21 v/v.Edition of 100.Signed and numbered in pencil.
Etching on laid paper, circa 1930.Edition unknown, but likely small, like most of Ripley’s prints.Signed and titled in pencil.
Retour de Pêche la Nuit (original French title) Etching and aquatint on laid paper. Reference: Morane 16.Annotated as a fourth state. As Morane com...
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Cartes Postales Artistiques (original French title) Color lithograph, poster, printed on thin wove paper, linen-backed, 1898. Published by "Dietric...
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Intaglio, most definitely aquatint mixed with other techniques, printed with embossing in simultaneous color printing (using various viscosities of...
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Woodcut on thin laid paper, 1943-44. Trial proof, aside from an edition of 27. It’s rush hour and a sea of people is holding on for dear life as th...
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Color woodcut (woodblock print) on Japan paper, no date. Edition unknown, but likely small. Signed in pencil.
La Tamise à Londres (original French title) Woodcut “en camaieu” (black, gray, and pale-blue) on thin laid Japan paper.Reference: BN-IFF 86.Two imp...
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Rennende Paarden or Twee Ruiters (original Dutch titles) Woodcut on laid paper. No stated edition, but quite scarce, as are most of Rinsema’s woodc...
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