
Locomotive
PINTO, Salvatore
Wood engraving on laid japon volant paper, 1935. Edition unknown. Not very common. This is a quintessential image of American industrialization...
View full detailsWood engraving on laid japon volant paper, 1935. Edition unknown. Not very common. This is a quintessential image of American industrialization...
View full detailsColor intaglio viscosity print on wove paper.Edition of 75.Signed and numbered in pencil. The artist obtains effects that resemble velour in the th...
View full detailsColor intaglio viscosity print on wove paper.Edition of 75.Signed and numbered in pencil. The artist obtains effects that resemble velour in the th...
View full detailsColor viscosity intaglio print on ivory Japan paper.One of 15 artist’s proofs, aside from the edition of 65.This, like all the artist’s prints from...
View full detailsIntaglio, most definitely aquatint mixed with other techniques, printed in simultaneous color printing (using various viscosities of ink) on Rives ...
View full detailsScreenprint, or silkscreen on reused advertisement board. This proof is printed on the blank back of an advertisement poster, cut in half by the ar...
View full detailsSilver-gelatin print, no date. Edition unknown. From a series of images titled Industrial Landscapes - Cleveland by the artist A very fine impr...
View full detailsCollage on board, no date. Unique. Our title is made up. It’s what it evoked in us, but one should feel free to see something else in this whimsic...
View full detailsIntaglio printed in black ink on wove paper, 1963.Stated edition of 25.Signed, titled, dated “12/63”, numbered and annotated “Paris” in pencil. May...
View full detailsEtching printed in black in with warm plate tone on wove paper, 1948. Edition unknown, but certainly small, if any was printed at all. This one a ...
View full detailsColor viscosity intaglio print on tan wove paper, 1957.Artist's proof. No edition as a such. But clearly used for another edition.Seemingly this ...
View full detailsThe title is not official, but descriptive.Aquatint printed in four colors on Arches wove paper, 1980.Edition of 60.Signed and numbered “30/60” in ...
View full detailsLithograph on Basingwerk Parchment paper.Edition unknown, but certainly not large.Signed and titled in pencil.
Cut-out color aquatint and etching on BFK Rives wove paper.Reference: Spielmann 284.5.Edition of 100.Signed, titled, and numbered in pencil.
Cut-out color aquatint and etching on BFK Rives wove paper. Reference: Spielmann 282.2. Edition of 100. Signed, titled, and numbered in pencil.
Cut-out color aquatint and etching on BFK Rives wove paper.Reference: Spielmann 284.4.Edition of 100.Signed, titled, and numbered in pencil.
Cut-out color aquatint and etching on BFK Rives wove paper, 1970. Reference: Spielmann 282.1. Edition of 100. Signed, titled, and numbered in pencil.
Color aquatint and etching on Arches wove paper.Artists proof. Edition unknown, but likely small, if any was printed at all. We have never seen a...
View full detailsColor linocut printed on tan wove paper.Editions unknown, but certainly small and possibly unique.Reed was known mostly as a fashion designer, not ...
View full detailsWerner DREWES (German-American, 1899-1985) The Green Moon Color woodcut on Japanese paper.Reference: Rose 308.Edition of 30.Signed, numbered and da...
View full detailsColor woodcut on Japanese paper, 1978.Reference: Rose 370.Edition of 25.Signed, numbered and dated in pencil.
Oiseau Fleur (original French title) Color aquatint and etching on thick wove paper.This is likely a simultaneous color print (color viscosity prin...
View full detailsMonotype on wove paper, 1953 (?).Unique work. While the artist is known to have made such monotypes from the mid-1970s to the mid-80’s it’s unclea...
View full detailsIrving AMEN (1918-2011) Duel Color woodcut on wove paper, circa 1960. Artist’s proof, aside from an edition in black only. It seems in black an ed...
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