Portrait of a Young Woman
HASKELL, Ernest
Pencil with pale-blue touches on board. Provenance: collection Mrs. Ernest Haskell, Jr; exhibited at Crocker Art Gallery in 1976 retrospective, Sac...
View full detailsIt is with great pleasure and honor that we present this first selection of works of art on paper from the personal collection of James and Carol Goodfriend. Jim is known to many in the world of prints and drawings as the dealer behind C & J Goodfriend Drawings and Prints. Over the years Jim would bring home particularly attractive prints and drawings, kept for their personal enjoyment. Jim and Carol have decided to disperse their collection and we are grateful to have been entrusted with the sale of these prints as well as some drawings, mostly by European, as well as some by American artists.
In keeping with his habit as a dealer Jim was always on the lookout for the most attractive works of art, collected for their artistic merit, rather than for name recognition. The discerning art buyer will find in this selection of works on paper magnificent examples of printmaking and draftsmanship. Each of these works was chosen for the quality of the impression, the interest of its subject matter, or its compositional strength. While famous printmakers will instantly be recognizable, we encourage you to focus not on the name, but on personal appeal, be it based on the light, the line, the composition, or any other number of factors that speak to you on an emotional level. This selection of artworks is being passed on from one distinguished art lover to the next generation.
Conditions and terms:
• Assume that each of these works is overall in a condition pleasing to the eye. They have generally not been conserved, which means that discolorations and minor flaws that do not affect their value visually, have been left untouched. We have noted obvious condition issues for transparency's sake. Full sheet images are visible on our website, and larger ones can be emailed upon request. We will be happy to detail further minor condition details.
• Prices are for payment online. If you wish to pay by check and save the 3.5% credit card charge, email us at bernard@armstrongfineart.com or call us at 312.404.2004.
Pencil with pale-blue touches on board. Provenance: collection Mrs. Ernest Haskell, Jr; exhibited at Crocker Art Gallery in 1976 retrospective, Sac...
View full detailsVery fine pen and black ink drawing on wove paper, no date.This drawing was created for reproduction, but its purpose is as of yet not identified. ...
View full detailsBlack crayon and watercolor on tan laid paper.This is a preliminary drawing for a color woodcut on page 53 of Paysages et Coins de Rues, Jean Riche...
View full detailsGraphite, conté crayon, and ink wash on wove notary ledger paper.Signed with an "R. Verdun" stamp (not in Lugt, and not the atelier sale stamp that...
View full detailsPencil on wove paper, affixed in four corners onto another sheet.We have not been able to ascertain whether this was a study after a master or an o...
View full detailsInk wash with touches of white gouache, watercolor, and crayon or chalk, drawn on the verso of a sheet of thin wove paper, with a French architectu...
View full detailsCliche-verre, mounted on card. Reference: Delteil 48. Exceedingly scarce, early impression in brown.The last impression to come up for auction was ...
View full detailsEtching on laid japon paper.Reference: Delteil 124 between i/ii and ii/iii.Almost certainly a state between Delteil's first and second, with the mo...
View full detailsEtching on chine-collé on white wove paper. Reference: Van Gelder 107 only state. As published in Revue Fantaisiste, September 1861. Faint foxing i...
View full detailsEtching on Japan wove paper.Reference: Bruette 102, LOC 301. Narrow margins.
Etching on laid paper. References: Bruette/Roullier 154 i/ii, LOC 181. Signed in pencil. Cut to the platemark (very likely by the artist).
Lithograph on wove paper. Edition of 50.The artist apparently made another version of a Parisian window view with the same title. Both are surprisi...
View full detailsEtching on wove paper, touched up with pencil in the lower window frame. Small margins on the sides.
Etching printed in dark brown ink on laid paper.Refereces: Delteil/Wright 29 iii/v; Schneiderman 24ii or iii/v.A rich impression of this early stat...
View full detailsEtching and drypoint on simili-japon wove paper.References: Béraldi 796; BN-IFF 420.From the series titled Six Fables de La Fontaine.After a gouach...
View full detailsEtching, aquatint, and drypoint printed from multiple plates (to be printed in color) on woven paper.References: Béraldi 214 vi/vii; BN-IFF 342 &am...
View full detailsEtching on thick wove paper.Refences: Delteil/Wright 53 v/vi; Schneiderman 96 v/vii.Bearing a butterfly stamp (collector's stamp?) in the lower rig...
View full detailsEtching on thick wove paper.Reference: Bliss 503 ii/ix.Before the etched borderline, before the plate was cut down, and before the composition was ...
View full detailsEtching with subtle plate tone on wove paper. Reference: Bliss 604, only state. Signed in pencil.
Color lithographs (two states) on wove paper.Reference: Fields 403.Two impressions: one before the menu was added, but before the removal of the tw...
View full detailsEtching and aquatint on chine-collé on wove paper.Reference: Fitch-Febvrel 68. Edition of 90. Signed, titled, dated and numbered in pencil.
Lithograph on tan wove paper.References: Roger-Marx 16; Aitken 58, Eckert Boyer 36 .Program for a play by Henrik Ibsen at the Théatre de l'Oeuvre.P...
View full detailsEtching and drypoint, on laid paper (1st state), on tan laid paper (2nd state).Reference: Béraldi 57.Two impressions, the first a proof impression ...
View full detailsEtching on thin wove paper, affixed in its four corners on a sheet of fibrous brown paper. Reference: not identified in BN-IFF, which mentions only...
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