Derricks at Night
LEWIS, Martin
Drypoint on wove paper.Reference: McCarron 62. Second state of two, after crosshatching and contrasting elements were added throughout the plate. T...
View full detailsDrypoint on wove paper.Reference: McCarron 62. Second state of two, after crosshatching and contrasting elements were added throughout the plate. T...
View full detailsEtching on wove paper.Reference: Retif & Salzer 19.Stated edition 100, but likely not completed. Extremely scarce. We have not found another im...
View full detailsHélène of Septeuil or Enfant au Perroquet Drypoint on laid Van Gelder paper, c. 1890. Reference: Breeskin 134. Very likely a fourth state of five, ...
View full detailsCoin de rue, Quartier des Grandes Carrières (original French title) Etching and aquatint on laid Japan paper.Reference: Tabanelli 76. Artist's proo...
View full detailsDrypoint on laid paper. Reference: McCarron 110. Edition of 41. Martin Lewis loved depicting snow, both in the countryside and in the city. This co...
View full detailsDrypoint on wove paper with two flower watermarks (papermaker unidentified).Reference: McCarron 76. Edition of 84. Lewis uses the dramatic nighttim...
View full detailsDrypoint on laid paper. Reference: McCarron 87. Total edition of 91, including 10 trial proofs.Signed in pencil.
Lithograph on wove paper. References: Cole 34; Windisch, Cole Jr. & Herbaugh 389.Edition of 250. Published by Associated American Artists (AAA)...
View full detailsPencil with pale-blue touches on board. Provenance: collection Mrs. Ernest Haskell, Jr; exhibited at Crocker Art Gallery in 1976 retrospective, Sac...
View full detailsVery fine pen and black ink drawing on wove paper, no date.This drawing was created for reproduction, but its purpose is as of yet not identified. ...
View full detailsGraphite, conté crayon, and ink wash on wove notary ledger paper.Signed with an "R. Verdun" stamp (not in Lugt, and not the atelier sale stamp that...
View full detailsPencil on wove paper, affixed in four corners onto another sheet.We have not been able to ascertain whether this was a study after a master or an o...
View full detailsInk wash with touches of white gouache, watercolor, and crayon or chalk, drawn on the verso of a sheet of thin wove paper, with a French architectu...
View full detailsEtching on chine-collé on white wove paper. Reference: Van Gelder 107 only state. As published in Revue Fantaisiste, September 1861. Faint foxing i...
View full detailsEtching on Japan wove paper.Reference: Bruette 102, LOC 301. Narrow margins.
Etching on laid paper. References: Bruette/Roullier 154 i/ii, LOC 181. Signed in pencil. Cut to the platemark (very likely by the artist).
Lithograph on wove paper. Edition of 50.The artist apparently made another version of a Parisian window view with the same title. Both are surprisi...
View full detailsEtching on wove paper, touched up with pencil in the lower window frame. Small margins on the sides.
Etching printed in dark brown ink on laid paper.Refereces: Delteil/Wright 29 iii/v; Schneiderman 24ii or iii/v.A rich impression of this early stat...
View full detailsEtching and drypoint on simili-japon wove paper.References: Béraldi 796; BN-IFF 420.From the series titled Six Fables de La Fontaine.After a gouach...
View full detailsEtching on thick wove paper.Refences: Delteil/Wright 53 v/vi; Schneiderman 96 v/vii.Bearing a butterfly stamp (collector's stamp?) in the lower rig...
View full detailsEtching on thick wove paper.Reference: Bliss 503 ii/ix.Before the etched borderline, before the plate was cut down, and before the composition was ...
View full detailsEtching with subtle plate tone on wove paper. Reference: Bliss 604, only state. Signed in pencil.
Etching and aquatint on chine-collé on wove paper.Reference: Fitch-Febvrel 68. Edition of 90. Signed, titled, dated and numbered in pencil.
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